The Fisherman of Pass Christian


The swift breezes on the beach at Pass Christian meet and conflict as though each strove for the mastery of the air. The land-breeze blows down through the pines, resinous, fragrant, cold, bringing breath-like memories of dim, dark woods shaded by myriad pine-needles. The breeze from the Gulf is warm and soft and languorous, blowing up from the south with its suggestion of tropical warmth and passion. It is strong and masterful, and tossed Annette's hair and whipped her skirts about her in bold disregard for the proprieties.

Arm in arm with Philip, she was strolling slowly down the great pier which extends from the Mexican Gulf Hotel into the waters of the Sound. There was no moon to-night, but the sky glittered and scintillated with myriad stars, brighter than you can ever see farther North, and the great waves that the Gulf breeze tossed up in restless profusion gleamed with the white fire of phosphorescent flame. The wet sands on the beach glowed white fire; the posts of the pier where the waves had leapt and left a laughing kiss, the sides of the little boats and fish-cars tugging at their ropes, alike showed white and flaming, as though the sea and all it touched were afire.

Annette and Philip paused midway the pier to watch two fishermen casting their nets. With heads bared to the breeze, they stood in clear silhouette against the white background of sea.

"See how he uses his teeth," almost whispered Annette.

Drawing himself up to his full height, with one end of the huge seine between his teeth, and the cord in his left hand, the taller fisherman of the two paused a half instant, his right arm extended, grasping the folds of the net. There was a swishing rush through the air, and it settled with a sort of sob as it cut the waters and struck a million sparkles of fire from the waves. Then, with backs bending under the strain, the two men swung on the cord, drawing in the net, laden with glittering restless fish, which were unceremoniously dumped on the boards to be put into the fish-car awaiting them.

Philip laughingly picked up a soft, gleaming jelly-fish, and threatened to put it on Annette's neck. She screamed, ran, slipped on the wet boards, and in another instant would have fallen over into the water below. The tall fisherman caught her in his arms and set her on her feet.

"Mademoiselle must be very careful," he said in the softest and most correct French. "The tide is in and the water very rough. It would be very difficult to swim out there to-night."

Annette murmured confused thanks, which were supplemented by Philip's hearty tones. She was silent until they reached the pavilion at the end of the pier. The semi-darkness was unrelieved by lantern or light. The strong wind wafted the strains from a couple of mandolins, a guitar, and a tenor voice stationed in one corner to sundry engrossed couples in sundry other corners. Philip found an untenanted nook and they ensconced themselves therein.

"Do you know there's something mysterious about that fisherman?" said Annette, during a lull in the wind.

"Because he did not let you go over?" inquired Philip.

"No; he spoke correctly, and with the accent that goes only with an excellent education."

Philip shrugged his shoulders. "That's nothing remarkable. If you stay about Pass Christian for any length of time, you'll find more things than perfect French and courtly grace among fishermen to surprise you. These are a wonderful people who live across the Lake."

Annette was lolling in the hammock under the big catalpa-tree some days later, when the gate opened, and Natalie's big sun-bonnet appeared. Natalie herself was discovered blushing in its dainty depths. She was only a little Creole seaside girl, you must know, and very shy of the city demoiselles. Natalie's patois was quite as different from Annette's French as it was from the postmaster's English.

"Mees Annette," she began, peony-hued all over at her own boldness, "we will have one lil' hay-ride this night, and a fish-fry at the end. Will you come?"

Annette sprang to her feet in delight. "Will I come? Certainly. How delightful! You are so good to ask me. What shall--what time--" But Natalie's pink bonnet had fled precipitately down the shaded walk. Annette laughed joyously as Philip lounged down the gallery.

"I frightened the child away," she told him.

You've never been for a hay-ride and fish-fry on the shores of the Mississippi Sound, have you? When the summer boarders and the Northern visitors undertake to give one, it is a comparatively staid affair, where due regard is had for one's wearing apparel, and where there are servants to do the hardest work. Then it isn't enjoyable at all. But when the natives, the boys and girls who live there, make up their minds to have fun, you may depend upon its being just the best kind.

This time there were twenty boys and girls, a mamma or so, several papas, and a grizzled fisherman to restrain the ardor of the amateurs. The cart was vast and solid, and two comfortable, sleepy-looking mules constituted the drawing power. There were also tin horns, some guitars, an accordion, and a quartet of much praised voices. The hay in the bottom of the wagon was freely mixed with pine needles, whose prickiness through your hose was amply compensated for by its delicious fragrance.

After a triumphantly noisy passage down the beach one comes to the stretch of heavy sand that lies between Pass Christian proper and Henderson's Point. This is a hard pull for the mules, and the more ambitious riders get out and walk. Then, after a final strain through the shifting sands, bravo! the shell road is reached, and one goes cheering through the pine-trees to Henderson's Point.

If ever you go to Pass Christian, you must have a fish-fry at Henderson's Point. It is the pine-thicketed, white-beached peninsula jutting out from the land, with one side caressed by the waters of the Sound and the other purred over by the blue waves of the Bay of St. Louis. Here is the beginning of the great three-mile trestle bridge to the town of Bay St. Louis, and to-night from the beach could be seen the lights of the villas glittering across the Bay like myriads of unsleeping eyes.

Here upon a firm stretch of white sand camped the merry-makers. Soon a great fire of driftwood and pine cones tossed its flames defiantly at a radiant moon in the sky, and the fishers were casting their nets in the sea. The more daring of the girls waded bare-legged in the water, holding pine-torches, spearing flounders and peering for soft-shell crabs.

Annette had wandered farther in the shallow water than the rest. Suddenly she stumbled against a stone, the torch dropped and spluttered at her feet. With a little helpless cry she looked at the stretch of unfamiliar beach and water to find herself all alone.

"Pardon me, mademoiselle," said a voice at her elbow; "you are in distress?"

It was her fisherman, and with a scarce conscious sigh of relief, Annette put her hand into the outstretched one at her side.

"I was looking for soft shells," she explained, "and lost the crowd, and now my torch is out."

"Where is the crowd?" There was some amusement in the tone, and Annette glanced up quickly, prepared to be thoroughly indignant at this fisherman who dared make fun at her; but there was such a kindly look about his mouth that she was reassured and said meekly,--

"At Henderson's Point."

"You have wandered a half-mile away," he mused, "and have nothing to show for your pains but very wet skirts. If mademoiselle will permit me, I will take her to her friends, but allow me to suggest that mademoiselle will leave the water and walk on the sands."

"But I am barefoot," wailed Annette, "and I am afraid of the fiddlers."

Fiddler crabs, you know, aren't pleasant things to be dangling around one's bare feet, and they are more numerous than sand fleas down at Henderson's Point.

"True," assented the fisherman; "then we shall have to wade back."

The fishing was over when they rounded the point and came in sight of the cheery bonfire with its Rembrandt-like group, and the air was savoury with the smell of frying fish and crabs. The fisherman was not to be tempted by appeals to stay, but smilingly disappeared down the sands, the red glare of his torch making a glowing track in the water.

"Ah, Mees Annette," whispered Natalie, between mouthfuls of a rich croaker, "you have found a beau in the water."

"And the fisherman of the Pass, too," laughed her cousin Ida.

Annette tossed her head, for Philip had growled audibly.

"Do you know, Philip," cried Annette a few days after, rudely shaking him from his siesta on the gallery,-- "do you know that I have found my fisherman's hut?"

"Hum," was the only response.

"Yes, and it's the quaintest, most delightful spot imaginable. Philip, do come with me and see it."


"Oh, Philip, you are so lazy; do come with me."

"Yes, but, my dear Annette," protested Philip, "this is a warm day, and I am tired."

Still, his curiosity being aroused, he went grumbling. It was not a very long drive, back from the beach across the railroad and through the pine forest to the bank of a dark, slow-flowing bayou. The fisherman's hut was small, two-roomed, whitewashed, pine-boarded, with the traditional mud chimney acting as a sort of support to one of its uneven sides. Within was a weird assortment of curios from every uncivilized part of the globe. Also were there fishing-tackle and guns in reckless profusion. The fisherman, in the kitchen of the mud-chimney, was sardonically waging war with a basket of little bayou crabs.

"Entrez, mademoiselle et monsieur," he said pleasantly, grabbing a vicious crab by its flippers, and smiling at its wild attempts to bite. "You see I am busy, but make yourself at home."

"Well, how on earth--" began Philip.

"Sh--sh--" whispered Annette. "I was driving out in the woods this morning, and stumbled on the hut. He asked me in, but I came right over after you."

The fisherman, having succeeded in getting the last crab in the kettle of boiling water, came forward smiling and began to explain the curios.

"Then you have not always lived at Pass Christian," said Philip.

"Mais non, monsieur, I am spending a summer here."

"And he spends his winters, doubtless, selling fish in the French market," spitefully soliloquised Philip.

The fisherman was looking unutterable things into Annette's eyes, and, it seemed to Philip, taking an unconscionably long time explaining the use of an East Indian stiletto.

"Oh, wouldn't it be delightful!" came from Annette at last.

"What?" asked Philip.

"Why, Monsieur LeConte says he'll take six of us out in his catboat tomorrow for a fishing-trip on the Gulf."

"Hum," drily.

"And I'll get Natalie and her cousins."

"Yes," still more drily.

Annette chattered on, entirely oblivious of the strainedness of the men's adieux, and still chattered as they drove through the pines.

"I did not know that you were going to take fishermen and marchands into the bosom of your social set when you came here," growled Philip, at last.

"But, Cousin Phil, can't you see he is a gentleman? The fact that he makes no excuses or protestations is a proof."

"You are a fool," was the polite response.

Still, at six o'clock next morning, there was a little crowd of seven upon the pier, laughing and chatting at the little "Virginie" dipping her bows in the water and flapping her sails in the brisk wind. Natalie's pink bonnet blushed in the early sunshine, and Natalie's mamma, comely and portly, did chaperonage duty. It was not long before the sails gave swell into the breeze and the little boat scurried to the Sound. Past the lighthouse on its gawky iron stalls, she flew, and now rounded the white sands of Cat Island.

"Bravo, the Gulf!" sang a voice on the lookout. The little boat dipped, halted an instant, then rushed fast into the blue Gulf waters.

"We will anchor here," said the host, "have luncheon, and fish."

Philip could not exactly understand why the fisherman should sit so close to Annette and whisper so much into her ears. He chafed at her acting the part of hostess, and was possessed of a murderous desire to throw the pink sun-bonnet and its owner into the sea, when Natalie whispered audibly to one of her cousins that "Mees Annette act nice wit' her lovare."

The sun was banking up flaming pillars of rose and gold in the west when the little "Virginie" rounded Cat Island on her way home, and the quick Southern twilight was fast dying into darkness when she was tied up to the pier and the merry-makers sprang off with baskets of fish. Annette had distinguished herself by catching one small shark, and had immediately ceased to fish and devoted her attention to her fisherman and his line. Philip had angled fiercely, landing trout, croakers, sheepshead, snappers in bewildering luck. He had broken each hopeless captive's neck savagely, as though they were personal enemies. He did not look happy as they landed, though paeans of praise were being sung in his honour.

As the days passed on, "the fisherman of the Pass" began to dance attendance on Annette. What had seemed a joke became serious. Aunt Nina, urged by Philip, remonstrated, and even the mamma of the pink sunbonnet began to look grave. It was all very well for a city demoiselle to talk with a fisherman and accept favours at his hands, provided that the city demoiselle understood that a vast and bridgeless gulf stretched between her and the fisherman.

But when the demoiselle forgot the gulf and the fisherman refused to recognise it, why, it was time to take matters in hand.

To all of Aunt Nina's remonstrances, Philip's growlings, and the averted glances of her companions, Annette was deaf. "You are narrow-minded," she said laughingly. "I am interested in Monsieur LeConte simply as a study. He is entertaining; he talks well of his travels, and as for refusing to recognise the difference between us, why, he never dreamed of such a thing."

Suddenly a peremptory summons home from Annette's father put an end to the fears of Philip. Annette pouted, but papa must be obeyed. She blamed Philip and Aunt Nina for telling tales, but Aunt Nina was uncommunicative, and Philip too obviously cheerful to derive much satisfaction from.

That night she walked with the fisherman hand in hand on the sands. The wind from the pines bore the scarcely recognisable, subtle freshness of early autumn, and the waters had a hint of dying summer in their sob on the beach.

"You will remember," said the fisherman, "that I have told you nothing about myself."

"Yes," murmured Annette.

"And you will keep your promises to me?"


"Let me hear you repeat them again."

"I promise you that I will not forget you. I promise you that I will never speak of you to anyone until I see you again. I promise that I will then clasp your hand wherever you may be."

"And mademoiselle will not be discouraged, but will continue her studies?"


It was all very romantic, by the waves of the Sound, under a harvest moon, that seemed all sympathy for these two, despite the fact that it was probably looking down upon hundreds of other equally romantic couples. Annette went to bed with glowing cheeks, and a heart whose pulsations would have caused a physician to prescribe unlimited digitalis.

It was still hot in New Orleans when she returned home, and it seemed hard to go immediately to work. But if one is going to be an opera-singer some day and capture the world with one's voice, there is nothing to do but to study, study, sing, practise, even though one's throat be parched, one's head a great ache, and one's heart a nest of discouragement and sadness at what seems the uselessness of it all. Annette had now a new incentive to work; the fisherman had once praised her voice when she hummed a barcarole on the sands, and he had insisted that there was power in its rich notes. Though the fisherman had showed no cause why he should be accepted as a musical critic, Annette had somehow respected his judgment and been accordingly elated.

It was the night of the opening of the opera. There was the usual crush, the glitter and confusing radiance of the brilliant audience. Annette, with papa, Aunt Nina, and Philip, was late reaching her box. The curtain was up, and "La Juive" was pouring forth defiance at her angry persecutors. Annette listened breathlessly. In fancy, she too was ringing her voice out to an applauding house. Her head unconsciously beat time to the music, and one hand half held her cloak from her bare shoulders.

Then Eleazar appeared, and the house rose at the end of his song. Encores it gave, and bravos and cheers. He bowed calmly, swept his eyes over the tiers until they found Annette, where they rested in a half-smile of recognition.

"Philip," gasped Annette, nervously raising her glasses, "my fisherman!"

"Yes, an opera-singer is better than a marchand," drawled Philip.

The curtain fell on the first act. The house was won by the new tenor; it called and recalled him before the curtain. Clearly he had sung his way into the hearts of his audience at once.

"Papa, Aunt Nina," said Annette, "you must come behind the scenes with me. I want you to meet him. He is delightful. You must come."

Philip was bending ostentatiously over the girl in the next box. Papa and Aunt Nina consented to be dragged behind the scenes. Annette was well known, for, in hopes of some day being an occupant of one of the dressing-rooms, she had made friends with everyone connected with the opera.

Eleazar received them, still wearing his brown garb and patriarchal beard.

"How you deceived me!" she laughed, when the greetings and introductions were over.

"I came to America early," he smiled back at her, "and thought I'd try a little incognito at the Pass. I was not well, you see. It has been of great benefit to me."

"I kept my promise," she said in a lower tone.

"Thank you; that also has helped me."

Annette's teacher began to note a wonderful improvement in his pupil's voice. Never did a girl study so hard or practise so faithfully. It was truly wonderful. Now and then Annette would say to papa as if to reassure herself,--

"And when Monsieur Cherbart says I am ready to go to Paris, I may go, papa?"

And papa would say a "Certainly" that would send her back to the piano with renewed ardour.

As for Monsieur LeConte, he was the idol of New Orleans. Seldom had there been a tenor who had sung himself so completely into the very hearts of a populace. When he was billed, the opera displayed "Standing Room" signs, no matter what the other attractions in the city might be. Sometimes Monsieur LeConte delighted small audiences in Annette's parlour, when the hostess was in a perfect flutter of happiness. Not often, you know, for the leading tenor was in great demand at the homes of society queens.

"Do you know," said Annette, petulantly, one evening, "I wish for the old days at Pass Christian."

"So do I," he answered tenderly; "will you repeat them with me next summer?"

"If I only could!" she gasped.

Still she might have been happy, had it not been for Madame Dubeau,--Madame Dubeau, the flute-voiced leading soprano, who wore the single dainty curl on her forehead, and thrilled her audiences oftentimes more completely than the fisherman. Madame Dubeau was La Juive to his Eleazar, Leonore to his Manfred, Elsa to his Lohengrin, Aida to his Rhadames, Marguerite to his Faust; in brief, Madame Dubeau was his opposite. She caressed him as Mignon, pleaded with him as Michaela, died for him in "Les Huguenots," broke her heart for love of him in "La Favorite." How could he help but love her, Annette asked herself, how could he? Madame Dubeau was beautiful and gifted and charming.

Once she whispered her fears to him when there was the meagrest bit of an opportunity. He laughed. "You don't understand, little one," he said tenderly; "the relations of professional people to each other are peculiar. After you go to Paris, you will know."

Still, New Orleans had built up its romance, and gossiped accordingly.

"Have you heard the news?" whispered Lola to Annette, leaning from her box at the opera one night. The curtain had just gone up on "Herodias," and for some reason or other, the audience applauded with more warmth than usual. There was a noticeable number of good-humoured, benignant smiles on the faces of the applauders.

"No," answered Annette, breathlessly,--"no, indeed, Lola; I am going to Paris next week. I am so delighted I can't stop to think."

"Yes, that is excellent," said Lola, "but all New Orleans is smiling at the romance. Monsieur LeConte and Madame Dubeau were quietly married last night, but it leaked out this afternoon. See all the applause she's receiving!"

Annette leaned back in her chair, very white and still. Her box was empty after the first act, and a quiet little tired voice that was almost too faint to be heard in the carriage on the way home, said--

"Papa, I don't think I care to go to Paris, after all."


facebook share button twitter share button reddit share button share on pinterest pinterest

Add The Fisherman of Pass Christian to your library.

Return to the Alice Dunbar-Nelson library , or . . . Read the next short story; The Goodness of Saint Rocque

© 2022