A Boy and His Dog
by Booth Tarkington
A Boy and His Dog, from the Penrod series (1914), was as popular as Mark Twain's The Adventures of Huckleberry Finn, at one point. This excerpt is Penrod, chapter I. You may also enjoy our collection of Dog Stories.
PENROD sat morosely upon the back fence and gazed with envy at Duke, his wistful dog.
A bitter soul dominated the various curved and angular surfaces known by a careless world as the face of Penrod Schofield. Except in solitude, that face was almost always cryptic and emotionless; for Penrod had come into his twelfth year wearing an expression carefully trained to be inscrutable. Since the world was sure to misunderstand every thing, mere defensive instinct prompted him to give it as little as possible to lay hold upon. Nothing is more impenetrable than the face of a boy who has learned this, and Penrod's was habitually as fathomless as the depth of his hatred this morning for the literary activities of Mrs. Lora Rewbush—an almost universally respected fellow citizen, a lady of charitable and poetic inclinations, and one of his own mother's most intimate friends.
Mrs. Lora Rewbush had written something which she called "The Children's Pageant of the Table Round"; and it was to be performed in public that very afternoon at the Women's Arts and Guild Hall, for the benefit of the Coloured Infants' Betterment Society. And if any flavour of sweetness remained in the nature of Penrod Schofield after the dismal trials of the school-week just past, that problematic, infinitesimal remnant was made pungent acid by the imminence of his destiny to form a prominent feature of the spectacle, and to declaim the loathsome sentiments of a character named upon the program the Child Sir Lancelot.
After each rehearsal he had plotted escape, and only ten days earlier there had been a glimmer of light: Mrs. Lora Rewbush caught a very bad cold, and it was hoped it might develop into pneumonia; but she recovered so quickly that not even a rehearsal of the Children's Pageant was postponed. Darkness closed in. Penrod had rather vaguely debated plans for a self-mutilation such as would make his appearance as the Child Sir Lancelot inexpedient on public grounds; it was a heroic and attractive thought, but the results of some extremely sketchy preliminary experiments caused him to abandon it.
There was no escape; and at last his hour was hard upon him. Therefore he brooded on the fence and gazed with envy at his wistful Duke.
The dog's name was undescriptive of his person, which was obviously the result of a singular series of mésalliances. He wore a grizzled moustache and indefinite whiskers; he was small and shabby, and looked like an old postman. Penrod envied Duke because he was sure Duke would never be compelled to be a Child Sir Lancelot. He thought a dog free and unshackled to go or come as the wind listeth. Penrod forgot the life he led Duke.
There was a long soliloquy upon the fence, a plaintive monologue without words: the boy's thoughts were adjectives, but they were expressed by a running film of pictures in his mind's eye, morbidly prophetic of the hideosities before him. Finally he spoke aloud, with such spleen that Duke rose from his haunches and lifted one ear in keen anxiety.
"'I hight Sir Lancelot du Lake, the Child, Gentul-hearted, meek, and mild. What though I'm but a littul child, Gentul-hearted, meek, and——' Oof!"
All of this except "oof" was a quotation from the Child Sir Lancelot, as conceived by Mrs. Lora Rewbush. Choking upon it, Penrod slid down from the fence, and with slow and thoughtful steps entered a one-storied wing of the stable, consisting of a single apartment, floored with cement and used as a storeroom for broken bric-à-brac, old paint-buckets, decayed garden-hose, worn-out carpets, dead furniture, and other condemned odds and ends not yet considered hopeless enough to be given away.
In one corner stood a large box, a part of the building itself: it was eight feet high and open at the top, and it had been constructed as a sawdust magazine from which was drawn material for the horse's bed in a stall on the other side of the partition. The big box, so high and towerlike, so commodious, so suggestive, had ceased to fulfil its legitimate function; though, providentially, it had been at least half full of sawdust when the horse died. Two years had gone by since that passing; an interregnum in transportation during which Penrod's father was "thinking" (he explained sometimes) of an automobile. Meanwhile, the gifted and generous sawdust-box had served brilliantly in war and peace: it was Penrod's stronghold.
There was a partially defaced sign upon the front wall of the box; the donjon-keep had known mercantile impulses:
The O. K. RaBiT Co. PENROD ScHoFiELD AND CO. iNQuiRE FOR PRicEs
This was a venture of the preceding vacation, and had netted, at one time, an accrued and owed profit of $1.38. Prospects had been brightest on the very eve of cataclysm. The storeroom was locked and guarded, but twenty-seven rabbits and Belgian hares, old and young, had perished here on a single night through no human agency, but in a foray of cats, the besiegers treacherously tunnelling up through the sawdust from the small aperture which opened into the stall beyond the partition. Commerce has its martyrs.
Penrod climbed upon a barrel, stood on tiptoe, grasped the rim of the box; then, using a knot-hole as a stirrup, threw one leg over the top, drew himself up, and dropped within. Standing upon the packed sawdust, he was just tall enough to see over the top.
Duke had not followed him into the storeroom, but remained near the open doorway in a concave and pessimistic attitude. Penrod felt in a dark corner of the box and laid hands upon a simple apparatus consisting of an old bushel-basket with a few yards of clothes-line tied to each of its handles. He passed the ends of the lines over a big spool, which revolved upon an axle of wire suspended from a beam over head, and, with the aid of this improvised pulley, lowered the empty basket until it came to rest in an upright position upon the floor of the storeroom at the foot of the sawdust-box.
"Eleva-ter!" shouted Penrod. "Ting-ting!"
Duke, old and intelligently apprehensive, approached slowly, in a semicircular manner, deprecatingly, but with courtesy. He pawed the basket delicately; then, as if that were all his master had expected of him, uttered one bright bark, sat down, and looked up triumphantly. His hypocrisy was shallow: many a horrible quarter of an hour had taught him his duty in this matter.
"El-e-vay-ter!" shouted Penrod sternly. "You want me to come down there to you?"
Duke looked suddenly haggard. He pawed the basket feebly again and, upon another outburst from on high, prostrated himself flat. Again threatened, he gave a superb impersonation of a worm.
"You get in that el-e-vay-ter!"
Reckless with despair, Duke jumped into the basket, landing in a dishevelled posture, which he did not alter until he had been drawn up and poured out upon the floor of sawdust within the box. There, shuddering, he lay in doughnut shape and presently slumbered.
It was dark in the box, a condition that might have been remedied by sliding back a small wooden panel on runners, which would have let in ample light from the alley; but Penrod Schofield had more interesting means of illumination. He knelt, and from a former soap-box, in a corner, took a lantern without a chimney, and a large oil-can, the leak in the latter being so nearly imperceptible that its banishment from household use had seemed to Penrod as inexplicable as it was providential.
He shook the lantern near his ear: nothing splashed; there was no sound but a dry clinking. But there was plenty of kerosene in the can; and he filled the lantern, striking a match to illumine the operation. Then he lit the lantern and hung it upon a nail against the wall. The sawdust floor was slightly impregnated with oil, and the open flame quivered in suggestive proximity to the side of the box; however, some rather deep charrings of the plank against which the lantern hung offered evidence that the arrangement was by no means a new one, and indicated at least a possibility of no fatality occurring this time.
Next, Penrod turned up the surface of the sawdust in another corner of the floor, and drew forth a cigar-box in which were half a dozen cigarettes, made of hayseed and thick brown wrapping paper, a lead-pencil, an eraser, and a small note-book, the cover of which was labelled in his own handwriting:
"English Grammar. Penrod Schofield. Room 6, Ward School Nomber Seventh."
The first page of this book was purely academic; but the study of English undefiled terminated with a slight jar at the top of the second: "Nor must an adverb be used to modif——"
Immediately followed:
"HAROLD RAMoRES THE ROADAGENT OR WILD LIFE AMONG THE ROCKY MTS."
And the subsequent entries in the book appeared to have little concern with Room 6, Ward School Nomber Seventh.
The author of “Harold Ramorez,” etc., lit one of the hayseed cigarettes, seated himself comfortably, with his back against the wall and his right shoulder just under the lantern, elevated his knees to support the note-book, turned to a blank page, and wrote, slowly and earnestly:
“CHAPITER THE SIXTH”
He took a knife from his pocket, and, broodingly, his eyes upon the inward embryos of vision, sharpened his pencil. After that, he extended a foot and meditatively rubbed Duke's back with the side of his shoe. Creation, with Penrod, did not leap, full-armed, from the brain; but finally he began to produce. He wrote very slowly at first, and then with increasing rapidity; faster and faster, gathering momentum and growing more and more fevered as he sped, till at last the true fire came, without which no lamp of real literature may be made to burn.
Enjoy reading the rest of Booth Tarkington's book, titled Penroad.
Return to the Booth Tarkington library , or . . . Read the next short story; Ariel's Triumph