The Ordeal
by F. Scott Fitzgerald
The Ordeal was published in The Nassau Literary Magazine, June 1915.
I.
The hot four o’clock sun beat down familiarly upon the wide stretch of Maryland country, burning up the long valleys, powdering the winding road into fine dust and glaring on the ugly slated roof of the monastery. Into the gardens it poured hot, dry, lazy, bringing with it, perhaps, some quiet feeling of content, unromantic and cheerful. The walls, the trees, the sanded walks, seemed to radiate back into the fair cloudless sky the sweltering late summer heat and yet they laughed and baked happily. The hour brought some odd sensition of comfort to the farmer in a nearby field, drying his brow for a moment by his thirsty horse, and to the lay-brother opening boxes behind the monastery kitchen.
The man walked up and down on the bank above the creek. He had been walking for half an hour. The lay-brother looked at him quizzically as he passed and murmured an invocation. It was always hard, this hour before taking first vows. Eighteen years before one, the world just behind. The lay-brother had seen many in this same situation, some white and nervous, some grim and determined, some despairing. Then, when the bell tolled five, there were the vows and usually the novice felt better.. It was this hour in the country when the world seemed gloriously apparent and the monastery vaguely impotent. The lay-brother shook his head in sympathy and passed on.
The man’s eyes were bent upon his prayer-book. He was very young, twenty at the most, and his dark hair in disorder gave him an even more boyish expression. A light flush lay on his calm face and his lips moved incessantly. He was not nervous. It seemed to him as if he had always known he was to become a priest. Two years before, he had felt the vague stirring, the transcendent sense of seeing heaven in everything, that warned him softly, kindly that the spring of his life was coming. He had given himself every opportunity to resist. He had gone a year to college, four months abroad, and both experiences only increased within him the knowledge of his destiny. There was little hesitation. He had at first feared self-committal with a thousand nameless terrors. He thought he loved the world. Panicky, he struggled, but surer and surer he felt that the last word had been said. He had his vocation—and then, because he was no coward, he decided to become a priest.
Through the long month of his probation he alternated between deep, almost delirous, joy and the same vague terror at his own love of life and his realization of all he sacrificed. As a favorite child he had been reared in pride and confidence in his ability, in faith in his destiny. Careers were open to him, pleasure, travel, the law, the diplomatic service. When, three months before, he had walked into the library at home and told his father that he was going to become a Jesuit priest, there was a famity scene and letters on all sides from friends and relatives. They told him he was ruining a promising young life because of a sentimental notion of self sacrifice, a boyish dream. For a month he listened to the bitter melodrama of the commonplace, finding his only rest in prayer, knowing his salvation and trusting in it. After all, his worst battle had been with himself. He grieved at his father’s disappointment and his mother’s tears, but he knew’ that time would set them right.
And now in half an hour he would take the vows which pledged him forever to a life of service. Eighteen years of study—eighteen years where his every thought, every idea would be dictated to him, where his individuality, his physical ego would be effaced and he would come forth strong and firm to work and work and work. He felt strangely calm, happier in fact than he had been for days and months. Something in the fierce, pulsing heat of the sun likened itself to his own heart, strong in its decision, virile and doing its own share in the work, the greatest work. He was elated that he had been chosen, he from so many unquestionably singled out, unceasingly called for. And he had answered.
The words of the prayers seemed to run like a stream into his thoughts, lifting him up peacefully, serenely; and a smile lingered around his eyes. Everything seemed so easy; surely all life was a prayer. Up and down he walked. Then of a sudden something happened. Afterwards he could never describe it except by saying that some undercurrent had crept into his prayer, something unsought, alien. He read on for a moment and then it seemed to take the form of music. He raised his eyes with a start—far down the dusty road a group of negro hands were walking along singing, and the song was an old song that he knew:
“We hope ter meet you in heavan whar we’ll Part no mo’, Whar we’ll part no mo’. Gawd a’moughty bless you twel we Me-et agin.”Something flashed into his mind that had not been there before. He felt a sort of resentment toward those who had burst in upon him at this time, not because they were simple and primitive, but because they had vaguely disturbed him. That song was old in his life. His nurse had hummed it through the dreamy days of his childhood. Often in the hot summer atfternoons he had played it softly on his banjo. It reminded him of so many things: months at the seashore on the hot beach with the gloomy ocean rolling around him, playing with sand castles with his cousin; summer evenings on the big lawn at home when he chased fireflys and the breeze carried the tune over the night to him from the negro-quarters. Later, with new words, it had served as a serenade—and now—well, he had done with that part of life, and yet he seemed to see a girl with kind eyes, old in a great sorrow, waiting, ever waiting. He seemed to hear voices calling, children’s voices. Then around him swirled the city, busy with the hum of men; and there was a family that would never be, beckoning him.
Other music ran now as undercurrent to his thoughts: wild, incoherent, music, illusive and wailing, like the shriek of a hundred violins, yet clear and chord-like. Art, beauty, love and life passed in a panorama before him, exotic with the hot perfumes of world-passion. He saw struggles and wars, banners waving somewhere, voices giving hail to a king—and looking at him through it all were the sweet sad eyes of the girl who was now a woman.
Again the music changed; the air was low and sad. He seemed to front a howling crowd who accused him. The smoke rose again around the body of John Wycliffe, a monk knelt at a priedieu and laughed because the poor had not bread, Alexander VI pressed once more the poisoned ring into his brother’s hand, and the black robed figures of the inquisition scowled and whispered. Three great men said there was no God, a million voices seemed to cry, "Why! Why! must we believe?" Then as in a chrystal he seemed to hear Huxley, Nietzsche, Zola, Kant cry, "“I will not"—He saw Voltaire and Shaw wild with cold passion. The voices pleaded "Why?" and the girl's sad eyes gazed at him with infinite longing.
He was in a void above the world—the ensemble, everything called him now. He could not pray. Over and over again he said senselessly, meaninglessly, "God have mercy, God have mercy." For a minute, an eternity, he trembled in the void and then—something snapped. They were still there, but the girl's eyes were all wrong, the lines around her mouth were cold and chiselled and her passion seemed dead and earthy.
He prayed, and gradually the cloud grew clearer, the images appeared vague and shadowy. His heart seemed to stop for an instant and then—he was standing by the bank and a bell was tolling five. The reverend superior came down the steps and toward him.
"It is time to go in." The man turned instantly.
"Yes, Father, I am coming."
II.
The novices filed silently into the chapel and knelt in prayer. The blessed Sacrament in the gleaming monstrance was exposed posed among the flaming candles on the altar. The air was rich and heavy with incense. The man knelt with the others. A first chord of the magnificat, sung by the concealed choir above, startled him; he looked up. The late afternoon sun shone through the stained glass window of St. Francis Xavier on his left and fell in red tracery on the cassock of the man in front of him. Three ordained priests knelt on the altar. Above them a huge candle burned. He watched it abstractedly. To the right of him a novice was telling his beads with trembling fingers. The man looked at him. He was about twenty-six with fair hair and green-grey eyes that darted nervously around the chapel. They caught each other's eye and the elder glanced quickly at the altar candle as if to draw attention to it. The man followed his eye and as he looked he felt his scalp creep and tingle. The same unsummoned instinct filled him that had frightened him half an hour ago on the bank. His breath came quicker. How hot the chapel was. It was too hot: and the candle was wrong—wrong—everything suddenly blurred. The man on his left caught him.
"Hold up," he whispered, "they’ll postpone you. Are you better? Can you go through with it?"
He nodded vaguely and turned to the candle. Yes, there was no mistake Something was there, something played in the tiny flame, curled in the minute wreath of smoke. Some evil presence was in the chapel, on the very altar of God. He felt a chill creeping over him, though he knew the room was warm His soul seemed paralyzed, but he kept his eyes riveted on the candle. He knew that he must watch it. There was no one else to do it. He must not take his eyes from it. The line of novices rose and he mechanically reached his feet.
"Per omnia saecula, saeculorum. Amen."
Then he felt suddenly that something corporeal was missing—his last earthly support. He realized what it was. The man on his left had gone out overwrought and shaken. Then it began. Something before had attacked the roots of his faith; had matched his world-sense against his God-sense, had brought, he had thought, every power to bear against him; but this was different. Nothing was denied, nothing was offered. It could best be described by saying that a great weight seemed to press down upon his innermost soul, a weight that had no essence, mental or physical. A whole spiritual realm evil in its every expression engulfed him. He could not think, he could not pray. As in a dream he heard the voices of the men beside him singing, but they were far away, farther away from him than anything had ever been before. He existed on a plane where there was no prayer, no grace; where he realized only that the forces around him were of hell and where the single Candle contained the essence of evil. He felt himself alone pitted against an infinity of temptation. He could bring no parallel to it in his own experience or any other. One fact he knew: one man had succumbed to this weight and he must not—must not. He must look at the candle and look and look until the power that filled it and forced him into this plane died forever for him. It was now or not at all.
He seemed to have no body and even what he had thought was his innermost self was dead. It was something deeper that was he, something that he had never felt before. Then the forces gathered for one final attack. The way that the other novice had taken was open to him. He drew his breath quickly and waited and then the shock came. The eternity and infinity of all good seemed crushed, washed away in an eternity and infinity of evil. He seemed carried helplessly along, tossed this way and that—as in a black limitless ocean where there is no light and the waves grow larger and larger and the sky darker and darker. The waves were dashing him toward a chasm, a maelstrom everlastingly evil, and blindly, unseeingly, desperately he looked at the candle, looked at the flame which seemed like the one black star in the sky of despair. Then suddenly he became aware of a new presence. It seemed to come from the left, seemed consummated and expressed in warm, red tracery somewhere. Then he knew. It was the stained window of St. Francis Xavier. He gripped at it spiritually, clung to it and with aching heart called silently for God.
"Tantum ergo Sacramentum Veneremur cernui."The words of the hymn gathered strength like a triumphant paean of glory, the incense filled his brain, his very soul, a gate clanged somewhere and the candle on the altar went out.
"Ego vos ahsolvo a peccatis tuis in nomine patris, flii, spirtius sancti. Amen."
The file of novices started toward the altar. The stained lights from the windows mingled with the candle glow and the eucharist in its golden halo seemed to the man very mystical and sweet. It was very calm. The subdeacon held the book for him. Fie placed his right hand upon it.
"In the name of the Father and the Son and of the Holy Ghost—"
Return to the F. Scott Fitzgerald library , or . . . Read the next short story; The Rich Boy