The Charwoman's Shadow


The Charwoman's Shadow (1926) is Lord Dunsany's enchanting novel set in the waning days of Spain's Golden Age. Ramon Alonzo, the young son of the Lord of the Tower and Rocky Forest, is sent to apprentice with a reclusive magician in the mountains beyond the village of Aragona. His mission is to learn the art of making gold so he can fill his sister Mirandola's dowry casket and secure her a suitable marriage. But when Ramon Alonzo arrives at the shadowy house in the wood, he discovers that the magician's power comes at a terrible price: he steals the shadows of those who serve him.

The novel's central mystery unfolds through the charwoman who scrubs the magician's floors—an old woman who was once a beautiful girl, lured from Aragona decades ago and stripped of her shadow along with her youth and beauty. When the magician takes Ramon Alonzo's shadow as well, the young man must find a way to recover both his own and the charwoman's stolen shadows, outwit a sorcerer who has trafficked with time itself, and win the hand of Anemone, the mysterious maiden he frees from the magician's household.

Written in Dunsany's signature ornate prose, the novel blends fairy-tale wonder with sly humor and genuine pathos. The final chapters, in which the magician departs Spain forever with all the creatures of fable and enchantment trailing behind him, stand among the most beautiful passages in fantasy literature—a farewell to the Golden Age itself and the magic that once inhabited the world.

Table of Contents


I: The Lord of the Tower Finds a Career for His Son
II: Ramon Alonzo Comes to the House in the Wood
III: The Charwoman Tells of Her Loss
IV: Ramon Alonzo Learns a Mystery Known to the Reader
V: Ramon Alonzo Learns of the Box
VI: There Is Talk of Gulvarez
VII: Ramon Alonzo Follows the Art
VIII: Ramon Alonzo Shares the Idleness of the Maidens of Aragona
IX: The Technique of Alchemy
X: The Exposure of the False Shadows
XI: The Chill of Space
XII: Mirandola Demands a Love-Potion
XIII: Ramon Alonzo Compounds the Potion
XIV: The Folk of Aragona Strike for the Faith
XV: Ramon Alonzo Talks of Technique and Muddles His Father
XVI: The Work of Father Joseph
XVII: The Three Fair Fields
XVIII: The Love-Potion
XIX: Father Joseph Explains How the Laity Have No Need of the Pen
XX: The Magician Imitates a Way of the Gods
XXI: White Magic Comes to the Wood
XXII: Ramon Alonzo Crosses a Sword with Magic
XXIII: The Plan of Ramon Alonzo
XXIV: Ramon Alonzo Dances with His Shadow
XXV: The Release of the Shadow
XXVI: The Wonderful Casting
XXVII: They Dread That a Witch Has Ridden from the Country Towards Moon's Rising
XXVIII: Gonsalvo Sings What Had Been the Latest Air from Provence
XXIX: The Casket of Silver and Oak Is Given to Señor Gulvarez
XXX: The End of the Golden Age