Small Town
by Philip K. Dick
Small Town (1954) was first published in Amazing Stories in May 1954. A bitter, unhappy man obsessively builds a detailed model of his small town in his basement. When he begins making changes to the model — removing people he dislikes, rearranging buildings — the real town starts to change too. at his most unsettling, exploring the dangerous power of obsession and control.
Track, engines, switches, cars, signals. More powerful transformers. And the beginnings of the town.
He had built the town up carefully. Piece by piece. First, when he was in junior high, a model of the Southern Pacific Depot. Then the taxi stand next door. The cafe where the drivers ate. Broad Street.
And so on. More and more. Houses, buildings, stores. A whole town, growing under his hands, as the years went by. Every afternoon he came home from school and worked. Glued and cut and painted and sawed.
Now it was virtually complete. Almost done. He was forty-three years old and the town was almost done.
Haskel moved around the big plywood table, his hands extended reverently. He touched a miniature store here and there. The flower shop. The theater. The Telephone Company. Larson’s Pump and Valve Works.
That, too. Where he worked. His place of business. A pei*- fect miniature of the plant, down to the last detail.
Haskel scowled. Jim Larson. For twenty years he had worked there, slaved day after day. For what? To see others advanced over him. Younger
men. Favorites of the boss. Yes-men with bright ties and pressed pants and wide, stupid grins.
Misery and hatred welled up in Haskel. All his life Woodland had got the better of him. He had never been happy. The town had always been against him. Miss Murphy in high school. The frats in college. Clerks in the snooty department stores. His neighbors. Cops and mailmen and bus drivers and delivery boys. Even his wife. Even Madge.
He had never meshed with the town. The rich, expensive little suburb of San Francisco, down the peninsula beyond the fog belt. Woodland was too damn upper-middle class. Too many big houses and lawns and chrome cars and deck chairs. Too stuffy and sleek. As long as he could remember. In school. His job —
Larson. The Pump and Valve Works. Twenty years of hard work.
Haskel’s fingers closed over the tiny building, the model of Larson’s Pump and Valve Works. Savagely, he ripped it loose and threw it to the floor. He crushed it underfoot, grinding the bits of glass and metal and cardboard into a shapeless mass.
AMAZING STORIKS
God, he was shaking all over. He stared down at the z’emains, his heart pounding wildly. Strange emotions, crazy emotions, twisted through him. Thoughts he never had had befoi'e. For a long time he gazed down at the crumpled wad by his shoe. What had once been the model of Larson’s Pump and Valve Works.
Abruptly he pulled away. In a trance he returned to his workbench and sat stiffly down on the stool. He pulled his tools and materials together, clicking the power drill on.
It took only a few moments. Working rapidly, with quick, expert fingers, Haskel assembled a new model. He painted, glued, fitted pieces together. He lettered a microscopic sign and sprayed a green lawn into place.
Then he carried the new model carefully over to the table and glued it in the correct spot. The place where Larson’s Pump and Valve Works had been. The new building gleamed in the overhead light, still moist and shiny.
WOODLAND MORTUARY
Haskel rubbed his hands in an ecstasy of satisfaction. The
Valve Works was gone. He had destroyed it. Obliterated it. Removed it from the town. Below him was Woodland — without the Valve Works. A mortuary instead.
His eyes gleamed. His lips twitched. His surging emotions swelled. He had got rid of it. In a brief flurry of action. In a second. The whole thing was simple — amazingly easy.
Odd he hadn’t thought of it before.
Sipping a tall glass of icecold beer thoughtfully, Madge Haskel said, “There’s something wrong with Verne. I noticed it especially last night. When he came home from work.’’
Doctor Paul Tyler grunted absently. “A highly neurotic type. Sense of inferiority. Withdrawal and introversion.’’
“But he’s getting worse. Him and his trains. Those damn model trains. My God, Paul ! Do you know he has a whole town down there in the basement?’’
Tyler was curious. “Really? I never knew that.’’
“All the time I’ve known him he’s had them down there. Started when he was a kid. Imagine a grown man playing with trains ! It’s — it’s disgust-
SM.\1X TOWN
ing. Every night the same thing.”
“Interesting.” Tyler rubbed his jaw. “He keeps at them continually? An unvarying pattern?”
“Every night. Last night he didn’t even eat dinnei’. He just came home and went directly down.”
Paul Tyler's polished features twisted into a frown. Across from him Madge sat languidly sipping her beer. It was two in the afternoon. The day was warm and bright. The living room was attractive in a lazy, quiet way. Abruptly Tyler got to his feet. “Let’s take a look at them. The models. I didn’t know it had gone so far.”
“Do you really want to?” Madge slid back the sleeve of her green silk lounge pajamas and consulted her wristwatch. “He won’t be home until five.” She jumped to her feet, setting down her glass. “All right. We have time.”
“Fine. Let’s go down.” Tyler caught hold of Madge’s arm and they hurried down into the basement, a strange excitement flooding through them. Madge clicked on the basement light and they approached the big plywood table, giggling and nervous, like mischievous children.
“See?” Madge said, squeez-
ing Tyler’s arm. “Look at it. Took years. All his life.”
Tyler nodded slowly. “Must have.” There was awe in his voice. “I’ve never seen anything like it. The detail. . . . He has skill.”
“Yes, Verne is good with his hands.” Madge indicated the workbench. "He buys tools all the time.”
Tyler walked slowly around the big table, bending over and peering. “Amazing. Every building. The whole town is here. Look ! There's my place.”
He indicated his luxurious apartment building, a few blocks from the Haskel residence.
“I guess it’s all there,” Madge said. “Imagine a grown man coming down here and playing with model trains !”
“Power.” Tyler pushed an engine along a track. “That’s why it appeals to boys. Trains are big things. Huge and noisy. Power-sex symbols. The boy sees the train rushing along the track. It’s so huge and ruthless it scares him. Then he gets a toy train. A model, like these. He controls it. Makes it start, stop. Go slow. Fast. He runs it. It responds to him.”
Madge shivered. “Let’s go
AM.tZlIVG STOIIIKS
upstairs where it’s warm. It’s so cold down here.”
“But as the boy grows up, he gets bigger and stronger. He can shed the model-symbol. Master the real object, the real train. Get genuine control over things. Valid mastery.” Tyler shook his head. “Not this substitute thing. Unusual, a grown person going to such len^hs.” He frowned. “I never noticed a mortuary on State Street.”
“A mortuary?”
“And this. Steuben Pet Shop. Next door to the radio repair shop. There’s no pet shop there.” Tyler cudgeled his brain. “What is there? Next to the radio repair place.”
“Paris Furs.” Madge clasped her arms. “Brrrrr. Come on, Paul. Let’s go upstairs before 1 freeze.”
Tyler laughed. “Okay, sissy.” He headed toward the stairs, frowning again. “I wonder why. Steuben Pets. Never heard of it. Everything is so detailed. He must know the town by heart. To put a shop there that isn’t — ” He clicked off the basement light. “And the mortuary. What’s supposed to be there? Isn’t the — “
“P'orget it,” Madge called back, hurrying past him, into the warm living room.
“You’re practically as bad as he is. Men are such children.”
Tyler didn’t respond. He was deep in thought. His suave confidence was gone ; he looked nervous and shaken.
Madge pulled the Venetian blinds down. The living room sank into amber gloom. She flopped down on the couch and pulled Tyler down beside her. “Stop looking like that,” she ordered. “I’ve never seen you this way.” Her slim arms circled his neck and her lips brushed close to his ear. “I wouldn’t have let you in if I thought you were going to worry about him,”
Tyler grunted, preoccupied. “Why did you let me in?”
The pressure of Madge’s arms increased. Her silk pajamas rustled as she moved against him. “Silly,” she said.
Big red-headed Jim Larson gaped in disbelief. “What do you mean? What’s the matter with you?”
“I’m quitting.” Haskel shoveled the contents of his desk into his briefcase. “Mail the check to my house.”
“But—”
“Get out of the way.” Haskel pushed past Larson, out into the hall. Larson was stunned with amazement. There was a fixed expression on Haskel’s face. A glazed
S>IA1X TOWN
look. A rigid look Larson had never seen before.
“Are you — all right?” Larson asked.
“Sure.” Haskel opened the front door of the plant and disappeared outside. The door slammed after him. “Sure I’m all right,” he muttered to himself. He made his way through the crowds of late-afternoon shoppers, his lips twitching. “You damn right I'm all right.”
“Watch it, buddy,” a laborer muttered ominously, as Haskel shoved past him.
“Sorry.” Haskel hurried on, gripping his briefcase. At the top of the hill he paused a moment to get his breath. Behind him was Larson’s Pump and Valve Works. Haskel laughed shrilly. Twenty years — cut short in a second. It was over. No more Larson. No more dull, grinding job, day after day. Without promotion or future. Routine and boredom, months on end. It was over and done for. A new life was beginning.
He hurried on. The sun was setting. Cars streaked by him, businessmen going home from woi'k. Tomorrow they would be going back — but not him. Not ever again.
He reached his own street. Ed Tildon’s house rose up, a great stately structure of con-
crete and glass Tildon’s dog came rushing out to bark. Haskel hastened past. Tildon’s dog. He laughed wildly.
“Better keep away!” he shouted at the dog.
He reached his own house and leaped up the front steps two at a time. He tore the door open. The living room was dark and silent. There was a sudden stir of motion. Shapes untangling themselves, getting quickly up from the couch.
“Verne!” Madge gasped. “What are you doing home so early?”
Verne Haskel threw his briefcase down and dropped his hat and coat over a chair. His lined face was twisted with emotion, pulled out of shape by violent inner forces.
“What in the world!” Madge fluttered, hurrying toward him nervously, smoothing down her lounge pajamas. “Has something happened? I didn’t expect you so — ” She broke off, blushing. “I mean, I—”
Paul Tyler strolled leisurely toward Haskel. “Hi there, Verne,” he murmured, embarrassed. “Dropped by to say hello and return a book to your wife.”
Haskel nodded curtly. “Afternoon.” He turned and
headed toward tile basement door, ignoring the two of them. “I’ll be downstairs.”
“But Verne!” Madge protested. “What’s happened?”
Verne halted briefly at the door. “I quit my job.”
“You what?”
“I quit my job. I finished Larson off. There won’t be anymore of him.” The basement door slammed.
“Good Lord!” Madge shrieked, clutching at Tyler hysterically. “He’s gone out of his mind !”
Down in the basement, Verne Haskel snapped on the light impatiently. He put on his engineer’s cap and pulled his stool up beside the great plywood table.
What next?
Morris Home Furnishings. The big plush store. Where the clerks all looked down their noses at him.
He rubbed his hands gleefully. No more of them. No more snooty clerks, lifting their eyebrows when he came in. Only hair and bow ties and folded handkerchiefs.
He removed the model of Morris Home Furnishings and disassembled it. He worked feverishly, with frantic haste. Now that he had really begun he wasted no time. A moment later he was glueing two small buildings in its place. Ritz
Shoeshine. Pete’s Bowling Alley.
Haskel giggled excitedly. Fitting extinction for the luxurious, exclusive furniture store. A shoeshine parlor and a bowling alley. Just what it deserved.
The California State Bank. He had always hated the Bank. They had once refused him a loan. He pulled the Bank loose.
Ed Tildon’s mansion. His damn dog. The dog had bit him on the ankle, one afternoon. He ripped the model off. His head spun. He could do anything.
Harrison Appliance. They had sold him a bum radio. Off came Harrison Appliance.
Joe’s Cigar and Smoke Shop. Joe had given him a lead quarter in May, 1949. Off came Joe’s.
The Ink Works. He loathed the smell of ink. Maybe a bread factory, instead. He loved baking bread. Off came the Ink Works.
Elm Street was too dark at night. A couple of times he had stumbled. A few more streetlights were in order.
Not enough bars along High Street. Too many dress shops and expensive hat and fur shops and ladies’ apparel. He ripped a whole handful loose
SMALI. TOWN
and carried them to the workbench.
At the top of the stairs the door opened slowly. Madge peered down, pale and frightened. “Verne?”
He scowled up impatiently. “What do you want?”
Madge came downstairs hesitantly. Behind her Doctor Tyler followed, suave and handsome in his gray suit. “Verne — is everything all right?”
“Of course.”
“Did — did you really quit your job?”
Haskel nodded. He began to disassemble the Ink Works, ignoring his wife and Doctor Tyler.
“But why?”
Haskel grunted impatiently. “No time.”
Doctor Tyler had begun to look worried. “Do I understand you’re too busy for your job?”
“That’s right.”
“Too busy doing what?” Tyler’s voice rose; he was trembling nervously. “Working down here on this town of yours? Changing things?”
“Go away,” Haskel muttered. His deft hands were assembling a lovely little Langendorf Bread Factory. He shaped it with loving care, sprayed it with white paint.
brushed a gravel walk and shrubs in front of it. He put it aside and began on a park. A big green park. Woodland had always needed a park. It would go in place of the State Street Hotel.
Tyler pulled Madge away from the table, off in a corner of the basement. “Good God.” He lit a cigarette shakily. 'Fhe cigarette flipped out of his hands and rolled away. He ignored it and fumbled for another. “You see? You see what he’s doing?”
Madge shook her head mutely. “What is it? 1 don’t—”
“How long has he been working on this? All his life?”
Madge nodded, white-faced. “Yes, all his life.”
Tyler’s features twisted. “My God, Madge. It’s enough to drive you out of your mind. I can hardly believe it. We’ve got to do something."
“What’s happening?” Madge moaned. “What — ”
“He’s losing himself into it.” Tyler’s face was a mask of incredulous disbelief. “Faster and faster.”
“He’s always come down here,” Madge faltered. “It’s nothing new. He’s always wanted to get away.”
“Yes. Get away.” Tyler shuddered, clenched his fists
and pulled himself together. He advanced across the basement and stopped by Verne Haskel.
“What do you want?" Haskel muttered, noticing him.
Tyler licked his lips. "You’re adding some things, aren’t you? New buildings.”
Haskel nodded.
Tyler touched the little bread factory with shaking fingers. "What’s this? Bread? Where does it go?” He moved around the table. “I don’t remember any bread factory in W’oodland.” He whirled. “You aren’t by any chance improving on the town? Fixing it up here and there?”
“Get the hell out of here," Haskel said, with ominous calm. “Both of you.”
“Verne!” Madge squeaked.
“Tve got a lot to do. You can bring sandwiches down about eleven. I hope to finish sometime tonight.”
“P’inish?” Tyler asked.
“Finish,” Haskel answered, returning to his work.
“Come on, Madge.” Tyler grabbed her and pulled her to the stairs. “Let’s get out of here.” He strode ahead of her, up to the stairs and into the hall. “Come on!” As soon as she was up he closed the door tightly after them.
Madge dabbed at her eyes hysterically. “He’s gone crazy, Paul! What’ll we do?”
Tyler was deep in thought. “Be quiet. I have to think this out.” He paced back and forth, a hard scowl on his features. “I’ll come soon. It won’t be long, not at this I’ate. Sometime tonight.”
“What? What do you mean?”
“His withdrawal. Into his substitute world. The improved model he controls. Where he can get away.”
“Isn’t there something wo can do?”
“Do?” Tyler smiled faintly. "Do we want to do something?”
Madge gasped. “But we can’t just — ”
“Maybe this will solve our problem. This may be what we’ve been looking for.” Tyler eyed Mrs. Haskel thoughtfully. “This may be just the thing.”
It w^as after midnight, almost two o’clock in the morning, w'hen he began to get things into final shape. He was tired — but alert. Things were happening fast. The job was almost done.
Virtually perfect.
He halted work a moment, surveying what he had accomplished. The town had
SM.IBX TOW.IV
been radically changed. About ten o’clock he had begun basic structural alterations in the lay-out of the streets. He had removed most of the public buildings, the civic center and the sprawling business district around it.
He had erected a new city hall, police station, and an immense park with fountains and indirect lighting. He had cleared the slum area, the old run-down stores and houses and streets. The streets were wider and well-lit. The houses were now small and clean. The stores modern and attractive — without being ostentatious.
All advertising signs had been removed. Most of the filling stations were gone. The immense factory area was gone, too. Rolling countryside took its place. Trees and hills and green grass.
The wealthy district had been altered. There were now only a few of the mansions left — belonging to persons he looked favorably on. The rest had been cut down, turned into uniform two-bedroom dwellings, one story, with a single garage each.
The city hall was no longer an elaborate, rococo structure. Now it was low and simple, modeled after the Parthenon, a favorite of his.
There were ten or twelve persons who had done him special harm. He had altered their houses considerably. Given them war-time housing unit apartments, six to a building, at the far edge of town. Where the wind came off the bay, carrying the smell of decaying mud-flats.
Jim Larson’s house was completely gone. He had erased Larson utterly. He no longer existed, not in this new Woodland — which was now almost complete.
Almost. Haskel studied his work intently. All the changes had to be made now. Not later. This was the time of creation. Later, when it had been finished, it could not be altered. He had to catch all the necessary changes now — or forget them.
The new Woodland looked pretty good. Clean and neat — and simple. The rich district had been toned down. The poor district had been improved. Glaring ads, signs, displays, had all been changed or removed. The business community was smaller. Parks and countryside took the place of factories. The civic center was lovely.
He added a couple of playgrounds for smaller kids. A small theater instead of the
A>fAZI]>r(
enormous Uptown with its flashing neon sign. After some consideration he removed most of the bars he had previously constructed. The new Woodland was going to be moral. Extremely moral. Few bars, no billiards, no red light district. And there was an especially fine jail for undesirables.
The most difficult part had been the microscopic lettering on the main office door of the city hall. He had left it until last, and then painted the words with agonizing care;
Mayor
Vernon R. Haskel
A few last changes. He gave the Edwards a ’39 Plymouth instead of a new Cadillac. He added more trees in the dowmtown district. One more fire department. One less dress shop. He had never liked taxis. On impulse, he removed the taxi stand and put in a flower shop.
Haskel rubbed his hands. Anything more? Or was it complete . . . Perfect ... He studied each part intently. What had he overlooked?
The high school. He removed it and put in two smaller high schools, one at each end of town. Another hospital. That took almost half an hour.
He was getting tired. His hands were less swift. He mopped his forehead shakily. Anything else? He sat down on his stool wearily, to rest and think.
All done. It was complete, Joy welled up in him. A bursting cry of happiness. His work was over.
“Finished!” Verne Haskel shouted.
He got unsteadily to his feet. He closed his eyes, held his arms out, and advanced toward the plywood table. Reaching, grasping, fingers extended, Haskel headed toward it, a look of radiant exaltation on his seamed, middle-aged face.
Upstairs, Tyler and Madge heard the shout. A distant booming that rolled through the house in waves. Madge winced in terror. “What was that?”
Tyler listened intently. He heard Haskel moving below them, in the basement. Abruptly, he stubbed out his cigarette. “I think it’s happened. Sooner than I. expected.”
“It? You mean he’s—”
Tyler got quickly to his feet. “He’s gone, Madge. Into his other world. We’re finally free.”
Madge caught his arm.
SMAUL TOW:W
"Maybe we’re making a mistake. It’s so terrible. Shouldn’t we — try to do something? Bring him out of it — try to pull him back.’’
“Bring him back?” Tyler laughed nervously. “I don’t think we could, now. Even if we wanted to. It’s too late.” He hurried toward the basement door. “Come on.”
“It’s horrible.” Madge shuddered and followed reluctantly. “I wish we had never got started.”
Tyler halted briefly at the door. “Horrible? He’s happier, where he is, now. And you’re happier. The way it was, nobody was happy. This is the best thing.”
He opened the basement door. Madge followed him. They moved cautiously down the stairs, into the dark, silent basement, damp with the faint night mists.
The basement was empty.
Tyler relaxed. He was overcome with dazed relief. “He’s gone. Everything’s okay. It worked out exactly right.”
“But I don’t understand,” Madge repeated hopelessly, as Tyler’s Buick purred along the dark, deserted streets. “Where did he go?”
“You know where he went,” Tyler answered. “Into his substitute world, of course.” He
screeched around a corner on two wheels. “The rest should be fairly simple. A few routine forms. There really isn’t much left, now.”
The night was frigid and bleak. No lights showed, except an occasional lonely streetlamp. Far off, a train whistle sounded mournfully, a dismal echo. Rows of silent houses flickered by on both sides of them.
“Where are we going?” Madge asked. She sat huddled against the door, face pale with shock and terror, shivering under her coat.
“To the police station.”
“Why?”
“To report him, naturally. So they’ll know he’s gone. We’ll have to wait; it’ll be several years before he’ll be declared legally dead.” Tyler reached over and hugged her briefly. “We’ll make out in the meantime, I’m sure.”
“What if — they find him?”
Tyler shook his head angrily. He was still tense, on edge. “Don’t you understand? They’ll never find him — he doesn’t exist. At least, not in our world. He’s in his own world. You saw it. The model. The improved substitute.”
“He’s there?”
“All his life he’s worked on it. Built it up. Made it real.
He brought that world into being — and now he’s in it. That’s what he wanted. That’s why he built it. He didn’t merely dream about an escape world. He actually constructed it — every bit and piece. Now he’s warped himself right out of our woi'ld, into it. Out of our lives.”
Madge finally began to understand. “Then he really did lose himself in his substitute world. You meant that, what you said about him — getting away.”
“It took me awhile to realize it. The mind constructs reality. Frames it. Creates it. We all have a common reality, a common dream. But Haskel turned his back on our common reality and created his own. And he had a unique capacity — far beyond the ordinary. He devoted his whole life, his whole skill to building it. He’s there now.”
Tyler hesitated and frowned. He gripped the wheel tightly and increased speed. The Buick hissed along the dark street, through the silent, unmoving bleakness that was the town.
“There’s only one thing,” he continued presently. “One thing I don’t understand.”
“What is it?”
“The model. It was also
gone. I assumed he’d — shrink, I suppose. Merge with it. But the model’s gone, too.” Tyler shrugged. “It doesn’t matter.” He peered into the darkness. “We’re almost there. This i.s Elm.”
It was then Madge screamed. “Look!”
To the right of the car wa.s a small, neat building. And a sign. The sign was easily visible in the darkness,
WOODLAND mortuary
Madge was sobbing in horror. The car roared forward, automatically guided by Tyler’s numb hands. Another sign flashed by briefly, as they coasted up before the city hall.
STEUBEN PET SHOP
The city hall was lit by recessed, hidden illumination. A low, simple building, a square of glowing white. Like a marble Greek temple.
Tyler pulled the car to a halt. Then suddenly shrieked and started up again. But not soon enough.
The two shiny-black police cars came silently up around the Buick, one on each side. The four stern cops already had their hands on the door. Stepping out and coming toward him, grim and efficient.
SMIAE.I, TOWN
ST A T EME NT
REQUIRED BY THE ACT OF AUGUST 24, 1912, AS AMENDED BY THE ACTS OF MARCH 3. 1933, AND JULY 2, 1946 (Title 39, United States Code, Section 233) SHOWING THE OWNERSHIP, MANAGEMENT. AND CIRCULATION OF AMAZING STORIES, published bi-monthly at Chicago, Illinois, for October 1, 1953.
1. The names and addresses of the publisher, editor, managing editor, and business managers are: Publisher, Ziff-Davis Publishing Company, 64 East Lake St., Chicago 1, 111.: Editor, Howard Browne, 366 Madison Ave., New York 17. N. Y. J Managing Editor, Paul Fuirman, 366 Madison Ave., New York 17, N. Y. : Business Manager, G. E. Carney, 366 Madison Ave., New York 17, N. Y.
2. The owners are: Ziff-Davis Publishing Company, 64 East Lake St., Chlcacro 1, 111. ; William B. Ziff, 64 East Lake St,, Chicago 1, III. ; B. G. Davis, 64 East Lake St., Chicago 1, 111. : A. Ziff, 64 East Lake St., Chicago 1, III. ; S. Davis, 64 East Lake St.. Chicago 1, III.
3. The known bondholders, mortgagees, and other security holders owning or holding 1 percent or more of total amount of bonds, mortgages, or other securities are: Modern Woodmen of America, Rock Island, Illinois.
4. Paragraphs 2 and 3 include, in cases where the stockholder or security holder appears upon the books of the company as trustee or in any other fiduciary relation, the name of the person or corporation for whom such trustee is acting; also the statements in the two paragraphs show the affiant’s full knowledge and belief as to the circumstances and conditions under which stockholders and security holders who do not appear upon the books of the company as trustees, hold stock and securities in a capacity other than that of a bona fide owner.
G. E, CARNEY, Businefta Mana< 7 ar
Sworn to end subscribed before me this 24th day of September, 1953.
[seal]
HELENE BULLOCK, Notary Public, (My commission expires March 30, 1955.)
Do you live next door to a man from Venus?
The mosf exciting true adventure of them all proves INTERPLANETARY TRAVEL IS FACT. NOT FICTION . . ,
Read this fantastic, but authentic and documented account of an actual meeting with a man from Venus. Read what this visitor from outer space said about other Venusians who have settled on earth . . . about the dangers of atomic warfare . . . see pictures of the Venusian footprints, and the hieroglyphic message he left for our world— a message that top brains in the country are still trying to decipher today in
AUTHENTICATED documents and photographs prove
this book is fact, not fiction — a true account of the most historic meeting of the 20th century— the opening of a new era of interplanetary relations. The first part of this vital book is a historical tracing of all the saucer sightings that have ever taken place . . . from ancient Egypt to the present day— an astonishing chronicle of interplanetary traffic. In the second half is the story of the momentous meeting with a man from outer space, which took place in the open— f» the presence of reliable witnesses. Now, for the first time, this outspoken book breaks through the hush-hush government conspiracy to ignore the facts about flying saucers. Send today for the handsome, illustrated, clothbound book that dares to prove there is life on other planets.
THE BRITISH BOOK CENTRE, RoMn SA 122 East SSth Strevt, New York 22, N. Y. PImm Mnd me my copy of FLYING SAUCERS HAVE LANDED (po»tpaid). I oncleco $3J0.
Ifdmo^
Addrett.-
Zono Sloto.^.M...
Have it your own way
BY RICHARD WILSON ^
Step right up, folks! Anything your heart desires is yours for the asking. Cream on your strawberries? A chauffeur for your Rolls-Royce? Two swimming pools for your country place? That was how things seemed to shape up for our friend Benton. Pie in the sky and a blonde with a 44-inch bust.
B enton was a pretty blase fellow but he didn’t know what to make of the girl witli the forty-four-inch bust.
It made her look top-heavy because she was only about live-feet-six and she had no hips to speak of.
She had been standing in the vestibule when he opened his mailbox on his way home from work. He’d never seen her before. In fact, he’d never
seen anything like her before.
She was smiling at him as he took out his mail and so he smiled back. Why not? Ho approved of her eyes, which were blue, and her hair, which was long and yellow.
“Hello,” he said tentatively. “You must be the new tenant in 4A.”
“Yes,” she said, smiling radiantly. “Do you live here too?” Her blue eyes invited.
“Well, I’m not the mail-
man,” Benton grinned. “I’m in 3B,” he added calculating- ]y. “Just a little bachelor apartment. Would you like to see it?”
Benton expected a polite demur. Instead she said, “Yes, I would.”
There was a Temporarily Out of Order sign on the elevator which had been there for a week and as the girl preceded him up the narrow stairs he admired the long hair, the tight blue sweater, the black skirt, nylon stockings and tiny black shoes.
But he wished she hadn’t accepted the invitation with such alacrity. A man will make an advance, sure, but he’s thrown off balance if it’s taken up immediately. There should be an interval of cat and mouse play, he thought. A decent interval. And then he thought, who is the cat and who the mouse?
He didn’t know what her
game was. It might even be the badger game, with a shakedown in prospect if he misbehaved. Well, he would try not to misbehave. His estimate that the girl measured forty-four inches at the chest was a matter of wonder to him but not necessarily attraction. Sometimes there can be a great deal too much of a good thing.
She walked in when he unlocked the door, still smiling, and sat down in an armchair. Her skirt hiked up to give him a half-view of her perfect knees.
“My name is Benton,” he said, closing the door. “Ed Benton. Excuse the mess. I didn’t have a chance to clean up after breakfast.”
He took the dirty dishes to the sink and pulled the plastic curtain that shut off the kitchenette from the living room.
She had said nothing, so he asked :
“Can I get you a drink?”
She nodded, smiling more widely. Her teeth were very white and even and her lips were rose red. She was a remarkably pretty girl, if out of proportion.
He made two drinks and handed her one.
“Here you are, uh — Miss,” he said. “What is your name?”
“My name?” she said. “What would you like it to be?”
“What would I like it to be?” he echoed. “I don’t know. Marilyn, maybe, or Jane, though they’re not really in your class.” He took a long drink. He felt baffled.
“I will be Marilyn,” she said. She stopped smiling long enough to take a drink, then beamed at him again.
Benton began to feel a little high. He tried to shake it off. He’d only had part of one drink and it usually took him at least three stiff ones to begin to soar. He wondered briefly if she’d slipped something into his glass, but that wasn’t possible. It had never left his hand.
He had been standing next to her chair and now he leaned over and kissed her on the mouth. It was an impulse
he had been unable to control.
She kissed him back, not aggressively, leaving her lips soft under his. It was a very satisfactory kiss.
He straightened up, said “Well!” and looked into his glass. There was a bit left. He drained it and made himself a new drink. She still had most of hers.
“Look,” he said, forcing himself to keep his eyes on his glass and stirring vigorously, “what is this? Who are you? It’s nice of you to drop in, and all that, but why?”
“I am Marilyn. I am a — a neighbor. I have come to call. Have I done the wrong thing?”
“No, no,” he said hastily. “Not at all. I just . . .”
Marilyn stood up and he thought she was about to leave. Instead she went to him, took his glass and set it down, put her arms around him, bent her head to one side and closed her eyes.
So he kissed her again. A long, long kiss, interspersed with nuzzlings and little groans.
When they stepped apart he tried to figure out what had been different. Then he had it. There was no taste. Her lipstick had no perfume.
AMAZING STOniBS
no flavor. Nor did her hair. And now he saw' that her lips were as perfect as before — as rose red and unsmeared. He wiped his own lips with his hand, but no color came off.
Of course there were supposedly kissproof lipsticks, but none of them stood up under such a kiss as they’d exchanged. It was as if her lips were permanently, indelibly red.
She took another step backward and he warned :
“Look out for the rug!”
But it was too late. It slipped out from under her and she went down, sliding along the floor. As she slid, her skirt was pushed up to her w'aist.
He looked with interest, then fascination. A scientific fascination. Because her nylon stockings did not end. There were no tops to them. The entire lower half of her body, from her feet to her waist, was nylon, with the stocking seams gradually disappearing into the backs of her thighs. It was not a garment she wore. She was made of a molded nylon plastic.
And, at the juncture of her legs with her body, she was no more anatomically defined than a doll.
Marilyn, the girl with the
forty-four-inch bust and the nylon body, looked into a full-length mirror in her bedroom in 4A.
The image was perfect, she thought, comparing it with a color photograph of a movie star after whom she’d been modeled. Better than perfect.
But Benton, after a promising beginning, hadn’t been friendly at all. The way he’d looked at his watch and frowned and hurried her out of his apartment after she’d slipped on his rug. (It was tricky, this Earth gravity.) She didn’t think he had an appointment at all. He was just trying to get rid of her.
She couldn’t understand it. She’d been prepared to give him whatever he wanted.
She flicked a button in the center of the chest they had so carefully constructed for maximum effect, and reported :
“Scout R23 messaging. Mission unsuccessful. Details follow.”
Joe Hennessy should have remembered. He’d gone bowling with the fellows from the office after work and they’d had a few drinks. He’d been careful to put aside a dime for carfare. He had more money at home, so a dime was enough.
HAVE IT YOVB OWN WAY
But now, at the subway entrance, he realized it wasn’t enough. They’d just raised the fare to fifteen cents and he was a nickel short. He knew that, of course, but he'd forgotten.
Any of the fellows would have been glad to lend him a nickel, or even a dollar, if he’d thought of it in time. But they were scattered now.
Joe Hennessy supposed he could get a nickel from almost any one of the dozens of people flowing past him in the street. It’d be embarrassing, though, and he couldn’t bring himself to ask. He’d also heard that a cop would be glad to help somebody out in such a fix. A cop would be better than a stranger — it’d be less like panhandling. But still he didn’t like to do it. He’d always paid his own way and he didn’t like to be beholden to anybody.
He was standing near the subway kiosk in indecision when the tall stranger in the pearl-gray hat approached.
“Hello,” the stranger said. He was in his mid-twenties, apparently — Hennessy’s age. “Can I help you, friend?”
“Oh, hello.” Hennessy didn’t like being approached by strangei's. He was alw^ays afraid they would be panhandlers, or worse, instead of
direction-seekers. “Well, maybe you can,” he said. “I need a nickel for the subway.”
He began to tell how he usually had more than enough money, and about the bowling with the fellows from the office, but the stranger stopped him with a smile and a gesture of his hand.
“No need to explain. I understand. I am very glad to be of assistance. Here."
The stranger thrust a hand into his side coat pocket and brought out a sheaf of bills. They were fresh and bright and clung together as if they'd just come from the mint. The stranger took one off the top and offered it to Hennessy.
“Oh, I don’t need a dollar," Hennessy said. “Just a nickel. You see, I — ”
That was when he saw what the bill was. It had a neat “500” in each of the cornei s visible to him and an unfamiliar picture in the middle.
Hennessy felt his mouth drop open. The stranger v as standing patiently, smiling, a five-hundred-dollar bill in one hand and an inch-thick stack of them in the other, vcaiting for Hennessy to accef>t tiie bill.
“Look” Hennessy said, his voice rising to a treble, ‘T don’t know w'hat this is all about. I only want a nickel for
A3IAZIIVU ST8UIKS
the subway. That’s all. Just a liickt'l. I don’t — ”
Suddenly he couldn’t stand it any more. The stranger’s smile and the fortune he held so casually in his hands seemed evil.
Ilennessy fled. Away from the stranger, aw'ay from the subway kiosk, half running, clutching his lone dime in his sweating hand.
The man in the pearl-gray hat sat at the desk in his room and regarded the bills piled in fi'ont of him. He took more bills out of various pockets and stacked them up with the others.
“Why did he run ?” he asked himself. “I was only trying to help him. He wanted money and that is what I offered to him.”
He took a bill in his fingers and examined it, comparing it with another one he took from his vest pocket.
“J thought they were perfect,” he said. “But there must be something wrong with them.
He sighed, scooped together the live hundred million dollars and shoved it into the fireplace. He touched a match to it here and there. It burned very well.
He stood up and touched a button en his chest.
UAVli: IT YOL’B OWIV WAY
“Scout R67 reporting. Mission unsuccessful. Details follow.”
The Politician prided himself on being accessible. He was especially accessible when he was out of office.
So he said he would be very glad to see Mr. Bang.
“Have I got the name right?” he asked his receptionist over the interoffice phone. “Bang?”
“Yes, sir,” she said. “Mr. Bang. He didn’t give a first name.”
“Well, send him in.”
The Politician got up and leaned across his big oak desk to shake hands.
“Very glad to see you, Mr. Bang. Very glad indeed.”
Mr. Bang sat his thick, prosperous-looking bulk in the visitor’s chair.
“I understand,” he said without preamble, “that you would like to be Governor.”
“Well, now, ha, ha,” the Politician said, thrown off balance. “You might say rather, my dear Mr. Bang, that it is my desire to serve the people of this great State to the best of my poor talents, in whatever capacity they choose to install me.”
“Yes, of course,” said Mr. Bang. “But you should not be unhappy if they were to in-
stall you as Governor. At least, that is my information.”
“Mr. Bang,” the Politician said, dropping his voice and leaning across the desk, “I don’t know who you are, but I can tell this much — you are a man of political acuity. Have a cigar — and a drink, perhaps? — while we discuss this matter.” He picked up the phone. “Miss Grant, I don’t wish to be disturbed for the next half hour.”
Mr. Bang accepted the cigar and the liquor and then, dropping his voice to the conspiratorial level the Politician had adopted, said.
“I can make you Governor.”
“You are aware, I suppose, that the other party is in power, that the present Governor has no intention of stepping down, and that the election is better than two years away?”
"Petty details,” said Mr. Bang, waving them away with the pudgy hand that held the cigar. “If his Excellency the Governor were to die tomorrow, who would succeed him?”
“The Lieutenant Governor, of course.”
“Precisely. And is it not true that the Lieutenant Governor is an aging man who is happy to have the prestige of his subsidiary office but
who would be dismayed by the responsibility and hard work of the Governorship? Would he not step down?”
“Well, yes, I have heard that said.”
"I can guarantee it,” Mr. Bang said. “And does not the State constitution provide that if the Governorship is vacated by death and if the Lieutenant Governor is not available to succeed him, there must be a special election?”
“Ah!” said the Politician. “That is true. And I could win a special election hands down. The other party doesn’t have anybody but a bunch of hacks available at this time.” He smiled to himself. But then he frowned.
“We overlook one item in this little game of supposition, Mr. Bang. The Governor happens to be a young man of forty-three, in the best of health. He is not going to die tomorrow, and probably not for the next quarter century.”
“He will die tomorrow,” said Mr. Bang positively, “if you wish me to arrange it for you.”
“My dear sir!” said the Politician. He seemed genuinely shocked.
“It will look like a heart attack and no suspicion will attach itself to anyone — least of all to you.”
AMAZING STOBIES
The Politician stood up, quivering with outraged dignity. “Get out, sir!” he boomed. “Ijeave my office at once before I call the police! Of all the underhanded tricks! I knew the Governor was a shrewd operator, but I didn’t believe he would stoop to such means to discredit me. Out, sir!”
Mr. Bang stood up in confusion.
“This is no trick,” he said. “I can make you Governor. Tt is your great desire. And from the Governorship it is but a step to the Presidency, as you know.”
The Politician snapped on the interoffice phone. “Miss Grant, I want you to hear this, too. . . . Leave my office immediately, Mr. Bang, or whatever your name is. And tell your friend the Governor that I refused to fall for his outrageous trap. And that if he ever dares even to allude to it, I shall ruin him by spreading the truth from one end of the State to the other !"
Mr. Bang opened his mouth, then closed it again. He put down the cigar, then turned and left, a very puzzled man.
The heavy-set Mr. Bang reasoned later than his failure to interest the Politician in the Governorship must be
HAVE IT Youn ownr way
traced to insufficient information. Years had been spent in gathering facts but somewhere they had overlooked something. These people who on the surface seemed to have no scruples whatever apparently had a strongly-developed moral sense deep inside them which caused them to react entirely unpredictably.
Mr. Bang snapped on his communicator :
“Scout R9 reporting. Mission unsuccessfuL Details follow."
They had met in a fancy cocktail lounge — the sultry girl in the gold lame gown and the distinguished gentleman with the touch of gray at his temples — and now they were in his penthouse apartment drinking twenty-fiveyear-old Scotch.
“I’ve never met a man like you,” the girl said, looking at him invitingly under her long, curving eyelashes. “So distinguished — so witty — so je ne sais quoi"
“You embarrass me, my dear,” he said. “It is I who should pay you the compliments. But compliments are such empty things. Unlike this, for instance.”
And he handed her a string of perfectly-matched pearls.
Then he went to a closet and returned with a coat of exquisite fur.
“Or this,” he said. “Sable — what mink only pretends to
She exclaimed delightedly and hugged the gifts to her. Then she threw them aside and said:
“Though I value them because they are from you, they are only material things. There are more important things.” She stepped close to him, her arms at her sides, her chest high, her head back. “There is you — and me. I cannot resist you. Take me. I am yours.”
His arm went to circle her waist. But then he stopped. A quizzical look crept across his face.
“Something is wrong,” he said. “Haven’t we met before?”
She had begun to lean toward him, but now she hesitated.
“I have that feeling, too.” She smiled and looked at him closely. She touched his chest over the gleaming white starched shirt.
“That’s right,” he said. “We have met — in the maintenance depot. And you’ve found my communication switch. I see yours, too — ” he touched it, midway down the deep v of
her gown “ — cleverly disguised as a fetching little mole. You’re . , .”
"Scout R84,” she laughed. “Reporting another failure. And you?”
“R206,” he said. “Humiliating, isn’t it?”
The Coordinator on duty looked disgustedly at the compilation, especially at the last entry which showed that robot scouts 84 and 206 not only failed in their mission among the III Solians but had ended up trying to give things away to each other.
Project Friendship, it had been called euphemistically. Among themselves the Coordinators referred to it as the Giveaway Program, or Give and Then Take.
But so far — and HI Sol was the fifth planet in as many solar systems where they’d tried out the project — they hadn’t even been able to give.
The Chief would not be pleased. The Chief had devoted a lifetime to the study of beings such as those on the green planet — “human'’ beings whose numbers were such that they could not be conquered from without but had to be subverted from within.
The Chief’s study had
AMAXIxlTG STOillES
shown that the beings had three main drives — sex, money and power. So it had seemed perfectly clear that the way to gain their friendship was to exploit these factors to the fullest. Then, having won their friendship, it would be a simple matter to take over the planet.
But it hadn’t worked. There were other intangibles ticking away in these tall bipeds of III Sol. Suspicion was one and he imagined that honor was another.
It hadn’t worked, the Coordinator knew from having watched five projects fail, because the Chief hadn’t learned from experience. The Coordinators had, but the Chief wouldn’t listen to them. Nobody could tell him anything. He’d worked out his plan a century ago, he’d got the Masters’ approval, and he’d followed it blindly ever since.
The III Solians had a slogan for people like his Chief, the Coordinator remembered from one of the robots’ reports — You can’t teach an old dog new spots. Something like that. The Chief hadn’t even modified the robots where the Coordinators had showed him they vt'ere imperfect.
The Coordinator sighed. He looked again at the panel with its thousand lights — each
UAVK IT YOUR OWJV WAY
ruby glow representing a scout that had failed, and not a single amber one to show even a partial success.
With what he knew now, if given the chance, he might be able to accomplish something where the Chief’s obstinacy had made it impossible. He was sure he could. Why not take the chance? Why not experiment?
The Coordinator stopped sighing and straightened up purposefully.
Then, when the Chief came in to have a look at the panel, the Coordinator decorporeated him with a neat blast from the hip.
He exulted, and recalled another phrase from III Sol.
“The Chief is dead, long live the Chief!’’ he cried as the old Chief vanished into molecules.
Want to save this story?
Create a free account to build your personal library of favorite stories
Sign Up - It's Free!Already have an account? Log in