1
Throw that flower in the waste basket, it’s faded. And keep an eye to your shoes and fingernails. The fool you once laughed at has made a fortune! There’s small help in a clutter of leaves either, no matter how they gleam. Punctillio’s the thing. A nobby vest. Spats. Lamps carry far, believe me, in lieu of sunshine!
Despite vastness of frontiers, which are as it were the fringes of a flower full of honey, it is the little things that count! Neglect them and bitterness drowns the imagination.
2
The time never was when he could play more than mattrass to the pretty feet of this woman who had been twice a mother without touching the meager pollen of their marriage intimacy. What more for him than to be a dandelion that could chirp with crickets or do a onestep with snow flakes? The tune is difficult but not impossible to the middle aged whose knees are tethered faster to the mind than they are at eighteen when any wind sets them clacking. What a rhythm’s here! One would say the body lay asleep and the dance escaped from the hair tips, the bleached fuzz that covers back and belly, shoulders, neck and forehead. The dance is diamantine over the sleeper who seems not to breathe! One would say heat over the end of a roadway that turns down hill. Cesa!
One may write music and music but who will dance to it? The dance escapes but the music, the music—projects a dance over itself which the feet follow lazily if at all. So a dance is a thing in itself. It is the music that dances but if there are words then there are two dancers, the words pirouetting with the music.
3
One has emotions about the strangest things: men—women himself the most contemptible. But to struggle with ants for a piece of meat,—a mangy cur to swallow beetles and all—better g[52]o slaughter one’s own kind in the name of peace—except when the body’s not there maggots swarm in the corruption. Oh let him have it. Find a cleaner fare for wife and child. To the sick their sick. For us heads bowed over the green-flowered asphodel. Lean on my shoulder little one, you too. I will lead you to fields you know nothing of. There’s small dancing left for us any way you look at it.
A man who enjoyed his food, the company of his children and especially his wife’s alternate caresses and tongue lashings felt his position in the town growing insecure due to a successful business competitor. Being thus stung to the quick he thinks magnanimously of his own methods of dealing with his customers and likens his competitor to a dog that swallows his meat with beetles or maggots upon it, that is, any way so he gets it.
Being thus roused the man does not seek to outdo his rival but grows heavily sad and thinks of death and his lost pleasures thus showing himself to be a person of discernment. For by so doing he gives evidence of a bastard sort of knowledge of that diversity of context in things and situations which the great masters of antiquity looked to for the inspiration and distinction of their compositions.
Return to the Kora in Hell Summary Return to the William Carlos Williams Library