Devil's Ford

by Bret Harte


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Chapter VIII


As Christie and Jessie Carr looked from the windows of the coach, whose dust-clogged wheels were slowly dragging them, as if reluctant, nearer the last stage of their journey to Devil's Ford, they were conscious of a change in the landscape, which they could not entirely charge upon their changed feelings. The few bared open spaces on the upland, the long stretch of rocky ridge near the summit, so vivid and so velvety during their first journey, were now burnt and yellow; even the brief openings in the forest were seared as if by a hot iron in the scorching rays of a half year's sun. The pastoral slopes of the valley below were cloaked in lustre-leather: the rare watercourses along the road had faded from the waiting eye and ear; it seemed as if the long and dry summer had even invaded the close-set ranks of pines, and had blown a simoom breath through the densest woods, leaving its charred red ashes on every leaf and spray along the tunnelled shade. As they leaned out of the window and inhaled the half-dead spices of the evergreens, they seemed to have entered the atmosphere of some exhausted passion--of some fierce excitement that was even now slowly burning itself out.

It was a relief at last to see the straggling houses of Devil's Ford far below come once more into view, as they rounded the shoulder of Devil's Spur and began the long descent. But as they entered the town a change more ominous and startling than the desiccation of the landscape forced itself upon them. The town was still there, but where were the inhabitants? Four months ago they had left the straggling street thronged with busy citizens--groups at every corner, and a chaos of merchandise and traders in the open plaza or square beside the Presbyterian church. Now all was changed. Only a few wayfarers lifted their heads lazily as the coach rattled by, crossing the deserted square littered with empty boxes, and gliding past empty cabins or vacant shop windows, from which not only familiar faces, but even the window sashes themselves, were gone. The great unfinished serpent-like flume, crossing the river on gigantic trestles, had advanced as far as the town, stooping over it like some enormous reptile that had sucked its life blood and was gorged with its prey.

Whiskey Dick, who had left the stage on the summit to avail himself of a shorter foot trail to the house, that would give him half an hour's grace to make preparations, met them at the stage office with a buggy. A glance at the young girls, perhaps, convinced him that the graces of elegant worldly conversation were out of place with the revelation he read on their faces. Perhaps, he, too, was a trifle indisposed. The short journey to the house was made in profound silence.

The villa had been repainted and decorated, and it looked fresher, and even, to their preoccupied minds, appeared more attractive than ever. Thoughtful hands had taken care of the vines and rose-bushes on the trellises; water--that precious element in Devil's Ford--had not been spared in keeping green through the long drought the plants which the girls had so tenderly nurtured. It was the one oasis in which the summer still lingered; and yet a singular sense of loss came over the girls as they once more crossed its threshold. It seemed no longer their own.

"Ef I was you, Miss Christie, I'd keep close to the house for a day or two, until--until--things is settled," said Dick; "there's a heap o' tramps and sich cattle trapsin' round. P'raps you wouldn't feel so lonesome if you was nearer town--for instance, 'bout wher' you useter live."

"In the dear old cabin," said Christie quickly; "I remember it; I wish we were there now."

"Do you really? Do you?" said Whiskey Dick, with suddenly twinkling eyes. "That's like you to say it. That's what I allus said," continued Dick, addressing space generally; "if there's any one ez knows how to come square down to the bottom rock without flinchin', it's your high-toned, fash'nable gals. But I must meander back to town, and let the boys know you're in possession, safe and sound. It's right mean that Fairfax and Mattingly had to go down to Lagrange on some low business yesterday, but they'll be back to-morrow. So long."

Left alone, the girls began to realize their strange position. They had conceived no settled plan. The night they left San Francisco they had written an earnest letter to their father, telling him that on learning the truth about the reverses of Devil's Ford, they thought it their duty to return and share them with others, without obliging him to prefer the request, and with as little worry to him as possible. He would find them ready to share his trials, and in what must be the scene of their work hereafter.

"It will bring father back," said Christie; "he won't leave us here alone; and then together we must come to some understanding with him--with them--for somehow I feel as if this house belonged to us no longer."

Her surmise was not far wrong. When Mr. Carr arrived hurriedly from Sacramento the next evening, he found the house deserted. His daughters were gone; there were indications that they had arrived, and, for some reason, suddenly departed. The vague fear that had haunted his guilty soul after receiving their letter, and during his breathless journey, now seemed to be realized. He was turning from the empty house, whose reproachful solitude frightened him, when he was confronted on the threshold by the figure of Fairfax Munroe.

"I came to the stage office to meet you," he said; "you must have left the stage at the summit."

"I did," said Carr angrily. "I was anxious to meet my daughters quickly, to know the reason of their foolish alarm, and to know also who had been frightening them. Where are they?"

"They are safe in the old cabin beyond, that has been put up ready to receive them again," said Fairfax quietly.

"But what is the meaning of this? Why are they not here?" demanded Carr, hiding his agitation in a burst of querulous rage.

"Do you ask, Mr. Carr?" said Fairfax sadly. "Did you expect them to remain here until the sheriff took possession? No one knows better than yourself that the money advanced you on the deeds of this homestead has never been repaid."

Carr staggered, but recovered himself with feeble violence.

"Since you know so much of my affairs, how do you know that this claim will ever be pressed for payment? How do you know it is not the advance of a--a--friend?"

"Because I have seen the woman who advanced it," said Fairfax hopelessly. "She was here to look at the property before your daughters came."

"Well?" said Carr nervously.

"Well! You force me to tell you something I should like to forget. You force me to anticipate a disclosure I expected to make to you only when I came to ask permission to woo your daughter Jessie; and when I tell you what it is, you will understand that I have no right to criticise your conduct. I am only explaining my own."

"Go on," said Carr impatiently.

"When I first came to this country, there was a woman I loved passionately. She treated me as women of her kind only treat men like me; she ruined me, and left me. That was four years ago. I love your daughter, Mr. Carr, but she has never heard it from my lips. I would not woo her until I had told you all. I have tried to do it ere this, and failed. Perhaps I should not now, but--"

"But what?" said Carr furiously; "speak out!"

"But this. Look!" said Fairfax, producing from his pocket the packet of letters Jessie had found; "perhaps you know the handwriting?"

"What do you mean?" gasped Carr.

"That woman--my mistress--is the woman who advanced you money, and who claims this house."

The interview, and whatever came of it, remained a secret with the two men. When Mr. Carr accepted the hospitality of the old cabin again, it was understood that he had sacrificed the new house and its furniture to some of the more pressing debts of the mine, and the act went far to restore his waning popularity. But a more genuine feeling of relief was experienced by Devil's Ford when it was rumored that Fairfax Munroe had asked for the hand of Jessie Carr, and that some promise contingent upon the equitable adjustment of the affairs of the mine had been given by Mr. Carr. To the superstitious mind of Devil's Ford and its few remaining locators, this new partnership seemed to promise that unity of interest and stability of fortune that Devil's Ford had lacked. But nothing could be done until the rainy season had fairly set in; until the long-looked-for element that was to magically separate the gold from the dross in those dull mounds of dust and gravel had come of its own free will, and in its own appointed channels, independent of the feeble auxiliaries that had hopelessly riven the rocks on the hillside, or hung incomplete and unfinished in lofty scaffoldings above the settlement.

The rainy season came early. At first in gathered mists on the higher peaks that were lifted in the morning sun only to show a fresher field of dazzling white below; in white clouds that at first seemed to be mere drifts blown across from those fresh snowfields, and obscuring the clear blue above; in far-off murmurs in the hollow hills and gulches; in nearer tinkling melody and baby prattling in the leaves. It came with bright flashes of sunlight by day, with deep, monotonous shadow at night; with the onset of heavy winds, the roar of turbulent woods, the tumultuous tossing of leafy arms, and with what seemed the silent dissolution of the whole landscape in days of steady and uninterrupted downfall. It came extravagantly, for every canyon had grown into a torrent, every gulch a waterspout, every watercourse a river, and all pouring into the North Fork, that, rushing past the settlement, seemed to threaten it with lifted crest and flying mane. It came dangerously, for one night the river, leaping the feeble barrier of Devil's Ford, swept away houses and banks, scattered with unconscious irony the laboriously collected heaps of gravel left for hydraulic machinery, and spread out a vast and silent lake across the submerged flat.

In the hurry and confusion of that night the girls had thrown open their cabin to the escaping miners, who hurried along the slope that was now the bank of the river. Suddenly Christie felt her arm grasped, and she was half-led, half-dragged, into the inner room. Her father stood before her.

"Where is George Kearney?" he asked tremulously.

"George Kearney!" echoed Christie, for a moment believing the excitement had turned her father's brain. "You know he is not here; he is in San Francisco."

"He is here--I tell you," said Carr impatiently; "he has been here ever since the high water, trying to save the flume and reservoir."

"George--here!" Christie could only gasp.

"Yes! He passed here a few moments ago, to see if you were all safe, and he has gone on towards the flume. But what he is trying to do is madness. If you see him, implore him to do no more. Let him abandon the accursed flume to its fate. It has worked already too much woe upon us all; why should it carry his brave and youthful soul down with it?"

The words were still ringing in her ears, when he suddenly passed away, with the hurrying crowd. Scarcely knowing what she did, she ran out, vaguely intent only on one thought, seeking only the one face, lately so dear in recollection that she felt she would die if she never saw it again. Perplexed by confused voices in the woods, she lost track of the crowd, until the voices suddenly were raised in one loud outcry, followed by the crashing of timber, the splashing of water, a silence, and then a dull, continuous roar. She ran vaguely on in the direction of the reservoir, with her father's injunction still in her mind, until a terrible idea displaced it, and she turned at right angles suddenly, and ran towards the slope leading down to the submerged flat. She had barely left the shelter of the trees behind her before the roar of water seemed to rise at her very feet. She stopped, dazed, bewildered, and horror-stricken, on the edge of the slope. It was the slope no longer, but the bank of the river itself!

Even in the gray light of early morning, and with inexperienced eyes, she saw all too clearly now. The trestle-work had given way; the curving mile of flume, fallen into the stream, and, crushed and dammed against the opposite shore, had absolutely turned the whole river through the half-finished ditch and partly excavated mine in its way, a few rods further on to join the old familiar channel. The bank of the river was changed; the flat had become an island, between which and the slope where she stood the North Fork was rolling its resistless yellow torrent. As she gazed spellbound, a portion of the slope beneath her suddenly seemed to sink and crumble, and was swallowed up in the rushing stream. She heard a cry of warning behind her, but, rooted to the spot by a fearful fascination, she heeded it not.

Again there was a sudden disruption, and another part of the slope sank to rise no more; but this time she felt herself seized by the waist and dragged back. It was her father standing by her side.

He was flushed and excited, gazing at the water with a strange exultation.

"Do you see it? Do you know what has happened?" he asked quickly.

"The flume has fallen and turned the river," said Christie hurriedly. "But--have you seen him--is he safe?"

"He--who?" he answered vacantly.

"George Kearney!"

"He is safe," he said impatiently. "But, do you see, Christie? Do you know what this means?"

He pointed with his tremulous hand to the stream before them.

"It means we are ruined," said Christie coldly.

"Nothing of the kind! It means that the river is doing the work of the flume. It is sluicing off the gravel, deepening the ditch, and altering the slope which was the old bend of the river. It will do in ten minutes the work that would take us a year. If we can stop it in time, or control it, we are safe; but if we can not, it will carry away the bed and deposit with the rest, and we are ruined again."

With a gesture of impotent fury, he dashed away in the direction of an equally excited crowd, that on a point of the slope nearer the island were gesticulating and shouting to a second group of men, who on the opposite shore were clambering on over the choked debris of the flume that had dammed and diverted the current. It was evident that the same idea had occurred to them, and they were risking their lives in the attempt to set free the impediments. Shocked and indignant as Christie had been at the degrading absorption of material interests at such a moment, the element of danger lifted the labors of these men into heroism, and she began to feel a strange exultation as she watched them. Under the skilful blows of their axes, in a few moments the vast body of drift began to disintegrate, and then to swing round and move towards the old channel. A cheer went up, but as suddenly died away again. An overlapping fringe of wreckage had caught on the point of the island and arrested the whole mass.

The men, who had gained the shore with difficulty, looked back with a cry of despair. But the next moment from among them leaped a figure, alert, buoyant, invincible, and, axe in hand, once more essayed the passage. Springing from timber to timber, he at last reached the point of obstruction. A few strokes of the axe were sufficient to clear it; but at the first stroke it was apparent that the striker was also losing his hold upon the shore, and that he must inevitably be carried away with the tossing debris. But this consideration did not seem to affect him; the last blow was struck, and as the freed timbers rolled on, over and over, he boldly plunged into the flood. Christie gave a little cry--her heart had bounded with him; it seemed as if his plunge had splashed the water in her eyes. He did not come to the surface until he had passed the point below where her father stood, and then struggling feebly, as if stunned or disabled by a blow. It seemed to her that he was trying to approach the side of the river where she was. Would he do it? Could she help him? She was alone; he was hidden from the view of the men on the point, and no succor could come from them. There was a fringe of alder nearly opposite their cabin that almost overhung the stream. She ran to it, clutched it with a frantic hand, and, leaning over the boiling water, uttered for the first time his name:

"George!"

As if called to the surface by the magic of her voice, he rose a few yards from her in mid-current, and turned his fading eyes towards the bank. In another moment he would have been swept beyond her reach, but with a supreme effort he turned on one side; the current, striking him sideways, threw him towards the bank, and she caught him by his sleeve. For an instant it seemed as if she would be dragged down with him. For one dangerous moment she did not care, and almost yielded to the spell; but as the rush of water pressed him against the bank, she recovered herself, and managed to lift him beyond its reach. And then she sat down, half-fainting, with his white face and damp curls upon her breast.

"George, darling, speak to me! Only one word! Tell me, have I saved you?"

His eyes opened. A faint twinkle of the old days came to them--a boyish smile played upon his lips.

"For yourself--or Jessie?"

She looked around her with a little frightened air. They were alone. There was but one way of sealing those mischievous lips, and she found it!

"That's what I allus said, gentlemen," lazily remarked Whiskey Dick, a few weeks later, leaning back against the bar, with his glass in his hand. "'George,' sez I, 'it ain't what you say to a fash'nable, high-toned young lady; it's what you does ez makes or breaks you.' And that's what I sez gin'rally o' things in the Ford. It ain't what Carr and you boys allows to do; it's the gin'ral average o' things ez is done that gives tone to the hull, and hez brought this yer new luck to you all!"

 

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