Chapter 120 - The Deck Toward the End of the First Night Watch Moby-Dick; or, The Whale


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Chapter 120 - The Deck Toward the End of the First Night Watch from Moby-Dick; or, The Whale

Ahab standing by the helm. Starbuck approaching him.

We must send down the main-top-sail yard, sir. The band is working loose and the lee lift is half-stranded. Shall I strike it, sir?"

"Strike nothing; lash it. If I had sky-sail poles, I'd sway them up now."

"Sir!- in God's name!- sir?"

"Well."

"The anchors are working, sir. Shall I get them inboard?"

"Strike nothing, and stir nothing but lash everything. The wind rises, but it has not got up to my table-hands yet. Quick, and see to it.- By masts and keels! he takes me for the hunchbacked skipper of some coasting smack. Send down my main-top-sail yard! Ho, gluepots! Loftiest trucks were made for wildest winds, and this brain-truck of mine now sails amid the cloud-scud. Shall I strike that? Oh, none but cowards send down their brain-trucks in tempest time. What a hooroosh aloft there! I would e'en take it for sublime, did I not know that the colic is a noisy malady. Oh, take medicine, take medicine!"

Frequently Asked Questions about Chapter 120 - The Deck Toward the End of the First Night Watch from Moby-Dick; or, The Whale

What does Ahab mean by "Strike nothing; lash it" in Chapter 120?

In nautical terminology, to strike means to lower sails, yards, or rigging, while to lash means to tie them down securely. Starbuck asks Ahab to strike (lower) the main-top-sail yard because its fittings are coming loose in the storm. Ahab refuses, ordering instead that everything be tied tighter. The command encapsulates Ahab's refusal to yield to the typhoon or make any concession to safety. Rather than reduce sail prudently, he wants to carry even more canvas—he says he would raise sky-sail poles if he had them. The phrase functions as both a practical sailing order and a symbolic statement of Ahab's unyielding defiance against nature itself.

Why is Chapter 120 of Moby-Dick written as a dramatic scene?

Herman Melville writes Chapter 120 in dramatic or theatrical form, presenting it as a dialogue between Ahab and Starbuck with minimal narration—similar to a play script. This technique serves several purposes. It strips away Ishmael's reflective voice and places the reader in the immediacy of the confrontation. It also parallels Shakespeare's dramatic style, which Melville admired and frequently echoed throughout Moby-Dick. Several chapters near the novel's climax use this format (Chapters 119, 120, 121, 122) to heighten the theatrical intensity as events accelerate toward the final chase.

What does Ahab mean by "brain-truck" in Chapter 120?

A truck is the cap or fitting at the very top of a ship's mast—the highest point on the vessel. When Ahab says "this brain-truck of mine now sails amid the cloud-scud," he is using the nautical term as a metaphor for his own mind. Just as the truck sits at the pinnacle of the mast, Ahab's thoughts occupy the most elevated and exposed position imaginable. He declares that "none but cowards send down their brain-trucks in tempest time," meaning he refuses to lower his ambitions or moderate his thinking despite the storm. The metaphor reveals that Ahab views his mental state and his ship as one entity—both must press forward at full height regardless of danger.

What is the conflict between Ahab and Starbuck in Chapter 120?

The conflict centers on ship safety versus obsessive pursuit. Starbuck, the first mate, approaches Ahab with two urgent concerns: the main-top-sail yard is working loose with a half-stranded lee lift, and the anchors are shifting. These are serious problems in a typhoon that could endanger the entire crew. Starbuck wants to strike (lower) the yard and secure the anchors inboard—standard seamanship in severe weather. Ahab dismisses both requests, ordering everything lashed in place and mocking Starbuck's caution. This exchange represents one of the final confrontations between Starbuck's rational prudence and Ahab's reckless determination, underscoring that the captain has placed his vendetta against Moby Dick above every obligation to his crew and ship.

Where does Chapter 120 fall in the plot structure of Moby-Dick?

Chapter 120 occurs in the novel's final movement, just fifteen chapters before the climactic three-day chase. It follows Chapter 119 ("The Candles"), in which the Pequod endures a typhoon and Ahab delivers his fire-worship soliloquy, and precedes Chapter 121 ("Midnight—The Forecastle Bulwarks"), where Starbuck contemplates mutiny. These chapters form a rapid sequence of escalating tension: the storm tests the ship, Ahab refuses all caution, the compass is destroyed (Chapter 124), and the crew becomes increasingly aware that their captain's obsession will likely kill them all. Chapter 120's brevity itself contributes to the narrative's accelerating pace toward catastrophe.

 

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