Chapter 7: Shadows and Tall Trees Summary โ€” Lord of the Flies

Lord of the Flies by William Golding

Plot Summary

Chapter 7, "Shadows and Tall Trees," follows the boys as they trek through the dense jungle on the unexplored side of the island, searching for the beast that Sam and Eric reported seeing on the mountaintop. As they walk along the shore, Ralph gazes at the vast, indifferent ocean and feels a deep sense of hopelessness about their chances of rescue. Simon, perceptive as ever, quietly reassures Ralph that he will get home safely.

The group picks up a boar's trail, and Ralph experiences the thrill of the hunt for the first time when he strikes a boar with his spear. Although the animal escapes, Ralph is exhilarated and eager for the other boys' approval. The hunters become caught up in the excitement and reenact the hunt, with Robert playing the role of the boar. The game quickly escalates from playful to violent as the boys jab Robert with their spears and chant "Kill the pig! Cut his throat! Bash him in!" Robert is genuinely hurt before the frenzy subsides, and the boys laugh nervously at how easily they lost control.

As darkness falls, Ralph insists they must return to Piggy and the littluns, but Jack challenges his courage and questions his leadership. Ralph, Roger, and Jack ultimately climb the mountain in the dark. At the summit, they encounter the dead parachutistโ€”a figure that billows and sways in the windโ€”and all three boys flee in terror, convinced they have seen the beast.

Character Development

Ralph undergoes a significant transformation in this chapter. His participation in the boar hunt reveals that even the most rational, civilized boy on the island is susceptible to the primal thrill of violence. After striking the boar, he basks in the other boys' admiration and admits that "hunting was good after all." This moment undercuts Ralph's moral authority and reveals the universality of the savage impulse Golding explores throughout the novel. Ralph's growing despair about rescue also deepens; his contemplation of the ocean's vastness reflects his dawning realization that civilization may be beyond their reach.

Jack continues to consolidate power by challenging Ralph at every turn. He goads Ralph into climbing the mountain in the dark, a manipulative tactic that forces Ralph into reckless action and weakens his image as a measured leader. Simon's quiet prophecy to Ralphโ€”"You'll get back to where you came from"โ€”reinforces Simon's role as the novel's moral and spiritual center, a boy attuned to truths the others cannot perceive.

Themes and Motifs

The chapter deepens the novel's central theme of civilization versus savagery. Ralph's willing participation in the hunt demonstrates that the boundary between order and chaos is thinner than he believed. The mock hunt, in which Robert is treated as prey, blurs the line between play and genuine violence, foreshadowing the deadly consequences of the boys' unchecked aggression in later chapters.

Fear and the unknown dominate the chapter's second half. The title "Shadows and Tall Trees" evokes the darkness and obscurity that surround the boysโ€”both literally, in the jungle and on the mountainside, and figuratively, in their inability to confront the truth about the beast. The dead parachutist, mistaken for a living monster, symbolizes how fear distorts perception and prevents rational understanding.

Literary Devices

Golding employs foreshadowing extensively: the mock hunt's escalation into real violence prefigures Simon's murder in Chapter 9. The ocean serves as a powerful symbol of the boys' isolation and the impossibility of return, while the mountain functions as a site of both literal and metaphorical darkness. Irony pervades the chapter, particularly in the fact that the "beast" the boys fear is actually a dead humanโ€”a casualty of the very civilization they long to rejoin. Golding's use of imageryโ€”the creeping shadows, the buffeting wind, the swaying parachutistโ€”creates a sustained atmosphere of dread that mirrors the boys' psychological deterioration.