ACT I - Scene I Hamlet


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Elsinore. A platform before the Castle.

Enter two Sentinels-[first,] Francisco, [who paces up and down at his post; then] Bernardo, [who approaches him].

BERNARDO
Who's there?

FRANCISCO
Nay, answer me. Stand and unfold yourself.

BERNARDO
Long live the King!

FRANCISCO
Bernardo?

BERNARDO
He.

FRANCISCO
You come most carefully upon your hour.

BERNARDO
'Tis now struck twelve. Get thee to bed, Francisco.

FRANCISCO
For this relief much thanks. 'Tis bitter cold,
And I am sick at heart.

BERNARDO
Have you had quiet guard?

FRANCISCO
Not a mouse stirring.

BERNARDO
Well, good night.
If you do meet Horatio and Marcellus,
The rivals of my watch, bid them make haste.

Enter Horatio and Marcellus.

FRANCISCO
I think I hear them. Stand, ho! Who is there?

HORATIO
Friends to this ground.

MARCELLUS
And liegemen to the Dane.

FRANCISCO
Give you good night.

MARCELLUS
O, farewell, honest soldier.
Who hath reliev'd you?

FRANCISCO
Bernardo hath my place.
Give you good night.

Exit.

MARCELLUS
Holla, Bernardo!

BERNARDO
Say-
What, is Horatio there ?

HORATIO
A piece of him.

BERNARDO
Welcome, Horatio. Welcome, good Marcellus.

MARCELLUS
What, has this thing appear'd again to-night?

BERNARDO
I have seen nothing.

MARCELLUS
Horatio says 'tis but our fantasy,
And will not let belief take hold of him
Touching this dreaded sight, twice seen of us.
Therefore I have entreated him along,
With us to watch the minutes of this night,
That, if again this apparition come,
He may approve our eyes and speak to it.

HORATIO
Tush, tush, 'twill not appear.

BERNARDO
Sit down awhile,
And let us once again assail your ears,
That are so fortified against our story,
What we two nights have seen.

HORATIO
Well, sit we down,
And let us hear Bernardo speak of this.

BERNARDO
Last night of all,
When yond same star that's westward from the pole
Had made his course t' illume that part of heaven
Where now it burns, Marcellus and myself,
The bell then beating one-

Enter Ghost.

MARCELLUS
Peace! break thee off! Look where it comes again!

BERNARDO
In the same figure, like the King that's dead.

MARCELLUS
Thou art a scholar; speak to it, Horatio.

BERNARDO
Looks it not like the King? Mark it, Horatio.

HORATIO
Most like. It harrows me with fear and wonder.

BERNARDO
It would be spoke to.

MARCELLUS
Question it, Horatio.

HORATIO
What art thou that usurp'st this time of night
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? By heaven I charge thee speak!

MARCELLUS
It is offended.

BERNARDO
See, it stalks away!

HORATIO
Stay! Speak, speak! I charge thee speak!

Exit Ghost.

MARCELLUS
'Tis gone and will not answer.

BERNARDO
How now, Horatio? You tremble and look pale.
Is not this something more than fantasy?
What think you on't?

HORATIO
Before my God, I might not this believe
Without the sensible and true avouch
Of mine own eyes.

MARCELLUS
Is it not like the King?

HORATIO
As thou art to thyself.
Such was the very armour he had on
When he th' ambitious Norway combated.
So frown'd he once when, in an angry parle,
He smote the sledded Polacks on the ice.
'Tis strange.

MARCELLUS
Thus twice before, and jump at this dead hour,
With martial stalk hath he gone by our watch.

HORATIO
In what particular thought to work I know not;
But, in the gross and scope of my opinion,
This bodes some strange eruption to our state.

MARCELLUS
Good now, sit down, and tell me he that knows,
Why this same strict and most observant watch
So nightly toils the subject of the land,
And why such daily cast of brazen cannon
And foreign mart for implements of war;
Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week.
What might be toward, that this sweaty haste
Doth make the night joint-labourer with the day?
Who is't that can inform me?

HORATIO
That can I.
At least, the whisper goes so. Our last king,
Whose image even but now appear'd to us,
Was, as you know, by Fortinbras of Norway,
Thereto prick'd on by a most emulate pride,
Dar'd to the combat; in which our valiant Hamlet
(For so this side of our known world esteem'd him)
Did slay this Fortinbras; who, by a seal'd compact,
Well ratified by law and heraldry,
Did forfeit, with his life, all those his lands
Which he stood seiz'd of, to the conqueror;
Against the which a moiety competent
Was gaged by our king; which had return'd
To the inheritance of Fortinbras,
Had he been vanquisher, as, by the same cov'nant
And carriage of the article design'd,
His fell to Hamlet. Now, sir, young Fortinbras,
Of unimproved mettle hot and full,
Hath in the skirts of Norway, here and there,
Shark'd up a list of lawless resolutes,
For food and diet, to some enterprise
That hath a stomach in't; which is no other,
As it doth well appear unto our state,
But to recover of us, by strong hand
And terms compulsatory, those foresaid lands
So by his father lost; and this, I take it,
Is the main motive of our preparations,
The source of this our watch, and the chief head
Of this post-haste and romage in the land.

BERNARDO
I think it be no other but e'en so.
Well may it sort that this portentous figure
Comes armed through our watch, so like the King
That was and is the question of these wars.

HORATIO
A mote it is to trouble the mind's eye.
In the most high and palmy state of Rome,
A little ere the mightiest Julius fell,
The graves stood tenantless, and the sheeted dead
Did squeak and gibber in the Roman streets;
As stars with trains of fire, and dews of blood,
Disasters in the sun; and the moist star
Upon whose influence Neptune's empire stands
Was sick almost to doomsday with eclipse.
And even the like precurse of fierce events,
As harbingers preceding still the fates
And prologue to the omen coming on,
Have heaven and earth together demonstrated
Unto our climature and countrymen.

Enter Ghost again.

But soft! behold! Lo, where it comes again!
I'll cross it, though it blast me.- Stay illusion!

Spreads his arms.

If thou hast any sound, or use of voice,
Speak to me.
If there be any good thing to be done,
That may to thee do ease, and, race to me,
Speak to me.
If thou art privy to thy country's fate,
Which happily foreknowing may avoid,
O, speak!
Or if thou hast uphoarded in thy life
Extorted treasure in the womb of earth
(For which, they say, you spirits oft walk in death),

The cock crows.

Speak of it! Stay, and speak!- Stop it, Marcellus!

MARCELLUS
Shall I strike at it with my partisan?

HORATIO
Do, if it will not stand.

BERNARDO
'Tis here!

HORATIO
'Tis here!

MARCELLUS
'Tis gone!

Exit Ghost.

We do it wrong, being so majestical,
To offer it the show of violence;
For it is as the air, invulnerable,
And our vain blows malicious mockery.

BERNARDO
It was about to speak, when the cock crew.

HORATIO
And then it started, like a guilty thing
Upon a fearful summons. I have heard
The cock, that is the trumpet to the morn,
Doth with his lofty and shrill-sounding throat
Awake the god of day; and at his warning,
Whether in sea or fire, in earth or air,
Th' extravagant and erring spirit hies
To his confine; and of the truth herein
This present object made probation.

MARCELLUS
It faded on the crowing of the cock.
Some say that ever, 'gainst that season comes
Wherein our Saviour's birth is celebrated,
The bird of dawning singeth all night long;
And then, they say, no spirit dare stir abroad,
The nights are wholesome, then no planets strike,
No fairy takes, nor witch hath power to charm,
So hallow'd and so gracious is the time.

HORATIO
So have I heard and do in part believe it.
But look, the morn, in russet mantle clad,
Walks o'er the dew of yon high eastward hill.
Break we our watch up; and by my advice
Let us impart what we have seen to-night
Unto young Hamlet; for, upon my life,
This spirit, dumb to us, will speak to him.
Do you consent we shall acquaint him with it,
As needful in our loves, fitting our duty?
Let's do't, I pray; and I this morning know
Where we shall find him most conveniently.

Exeunt.

Frequently Asked Questions about ACT I - Scene I from Hamlet

What happens in Act 1, Scene 1 of Hamlet?

Act 1, Scene 1 takes place at midnight on the battlements of Elsinore Castle in Denmark. The sentinels Bernardo and Marcellus, along with Prince Hamlet's friend Horatio, witness the Ghost of the recently deceased King Hamlet appear in full armor. Horatio, initially skeptical, is terrified when the Ghost proves real but refuses to speak. He recounts how King Hamlet defeated King Fortinbras of Norway in single combat, winning Norwegian lands, and explains that young Fortinbras is now raising an army to reclaim those territories. The Ghost appears a second time but vanishes when the cock crows at dawn. The men resolve to tell Prince Hamlet, believing the spirit will speak to the dead king's son.

Why does the Ghost appear in Act 1, Scene 1 of Hamlet?

The Ghost of King Hamlet appears on the battlements of Elsinore dressed in the same armor he wore when he defeated King Fortinbras of Norway. While the Ghost does not speak in this scene, its appearance in "warlike form" signals that something is deeply wrong in Denmark. Horatio interprets the apparition as a sign that "bodes some strange eruption to our state," connecting it to the country's frantic military preparations against young Fortinbras. He draws a parallel to the supernatural omens that preceded Julius Caesar's assassination in Rome, suggesting the Ghost is a harbinger of political catastrophe. The men conclude that the Ghost may be willing to speak to Prince Hamlet, setting the play's central action in motion.

Who is Horatio in Hamlet Act 1, Scene 1?

Horatio is introduced as a scholarly friend of Prince Hamlet and a rational skeptic who initially dismisses the sentinels' ghost story as "fantasy." Marcellus and Bernardo bring him to the watch specifically because they need a credible, educated witness. When the Ghost appears, Horatio's skepticism crumbles and he admits, "Before my God, I might not this believe / Without the sensible and true avouch / Of mine own eyes." As a scholar, he is urged to speak to the Ghost because the others believe learning gives him authority over spirits. Horatio's transition from doubter to believer serves a crucial dramatic function: it validates the supernatural for the audience and establishes him as the play's voice of reason whose judgment can be trusted throughout the tragedy.

What is the significance of the Ghost's armor in Hamlet?

The Ghost appears wearing the exact armor King Hamlet wore when he defeated King Fortinbras of Norway in single combat, and Horatio recognizes the same fierce frown the king displayed when "he smote the sledded Polacks on the ice." This martial imagery is significant for several reasons. First, it confirms the Ghost's identity as the dead king, not a demonic impersonation, at least in the eyes of the witnesses. Second, the warlike appearance connects the apparition to the political crisis: young Fortinbras is gathering forces to reclaim the lands his father lost, making the Ghost's military dress a visual symbol of unfinished political conflict. Third, it foreshadows the theme of fathers and sons mirroring each other, as both young Fortinbras and Prince Hamlet will be driven to action by their fathers' legacies.

What role does the cock's crow play in Hamlet Act 1, Scene 1?

The cock's crow at dawn causes the Ghost to vanish abruptly during its second appearance, just as Horatio is begging it to speak. Horatio explains that the cock "is the trumpet to the morn" and that at its warning, wandering spirits must return to their confines. Marcellus adds a layer of folk belief, noting that during the Christmas season the cock crows all night and "no spirit dare stir abroad." The cock's crow functions as a symbolic boundary between darkness and light, the supernatural and the natural. It also introduces the theme of appearance versus reality, since the coming daylight does not actually resolve the mystery but merely postpones it. Shakespeare uses this moment to heighten tension: the Ghost was "about to speak, when the cock crew," leaving the characters and audience in suspense.

What is the Fortinbras subplot introduced in Hamlet Act 1, Scene 1?

Horatio explains that the late King Hamlet killed King Fortinbras of Norway in a formal duel, and by a "seal'd compact, / Well ratified by law and heraldry," Fortinbras forfeited all his lands to Denmark. Now his son, young Fortinbras, described as being of "unimproved mettle hot and full," has gathered a band of "lawless resolutes" from the fringes of Norway to reclaim those territories by force. This subplot is significant because it parallels Prince Hamlet's own situation: both are sons driven to act by their fathers' histories. It also explains Denmark's urgent military buildup, the nightly watches, and the casting of cannons that Marcellus asks about. The Fortinbras subplot serves as a political foil to the personal tragedy that will unfold, grounding the play's supernatural elements in real-world consequences.

 

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