ACT II - Scene III β Vocabulary
Macbeth by William Shakespeare — key words and definitions
Vocabulary Words from ACT II - Scene III
- equivocator (noun)
- A person who uses ambiguous language to conceal the truth or avoid committing to a clear statement; historically linked to the Jesuit defense of misleading speech under oath.
- sacrilegious (adjective)
- Involving violation or contemptuous treatment of something regarded as sacred; here, describing the murder of a divinely anointed king.
- counterfeit (noun)
- An imitation or copy intended to deceive; in this context, sleep is called deathβs counterfeit because it mimics deathβs appearance.
- parley (noun)
- A conference or discussion, especially between enemies or opposing sides; originally a military term for a truce to hold negotiations.
- combustion (noun)
- Violent disorder or tumult; literally the act of burning, used here figuratively to describe impending chaos and destruction.
- temperate (adjective)
- Showing moderation and self-restraint; calm and composed, especially in difficult circumstances.
- expedition (noun)
- Promptness or speed of action; here used in its less common sense meaning the urgency or swiftness of an emotion.
- refrain (verb)
- To hold oneself back from doing something; to restrain or resist an impulse.
- consort (verb)
- To associate or keep company with someone, especially with the implication of complicity or shared interest.
- scruples (noun)
- Feelings of doubt or hesitation about the morality or propriety of a course of action; moral qualms.
- Gorgon (noun)
- In Greek mythology, one of three sisters (including Medusa) whose appearance was so horrifying it turned onlookers to stone; used here as a metaphor for the shocking sight of Duncanβs murdered body.
- lees (noun)
- The sediment or dregs that settle at the bottom of a container of wine; figuratively, the worthless remainder after the best part has been taken.
- murtherous (adjective)
- An archaic spelling of murderous; inclined to or involving murder. Shakespeare uses this form throughout the play.