ACT IV - Scene III Macbeth


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England. Before the King's palace.

Enter Malcolm and Macduff.

MALCOLM
Let us seek out some desolate shade and there
Weep our sad bosoms empty.

MACDUFF
Let us rather
Hold fast the mortal sword, and like good men
Bestride our downfall'n birthdom. Each new morn
New widows howl, new orphans cry, new sorrows
Strike heaven on the face, that it resounds
As if it felt with Scotland and yell'd out
Like syllable of dolor.

MALCOLM
What I believe, I'll wail;
What know, believe; and what I can redress,
As I shall find the time to friend, I will.
What you have spoke, it may be so perchance.
This tyrant, whose sole name blisters our tongues,
Was once thought honest. You have loved him well;
He hath not touch'd you yet. I am young, but something
You may deserve of him through me, and wisdom
To offer up a weak, poor, innocent lamb
To appease an angry god.

MACDUFF
I am not treacherous.

MALCOLM
But Macbeth is.
A good and virtuous nature may recoil
In an imperial charge. But I shall crave your pardon;
That which you are, my thoughts cannot transpose.
Angels are bright still, though the brightest fell.
Though all things foul would wear the brows of grace,
Yet grace must still look so.

MACDUFF
I have lost my hopes.

MALCOLM
Perchance even there where I did find my doubts.
Why in that rawness left you wife and child,
Those precious motives, those strong knots of love,
Without leave-taking? I pray you,
Let not my jealousies be your dishonors,
But mine own safeties. You may be rightly just,
Whatever I shall think.

MACDUFF
Bleed, bleed, poor country!
Great tyranny, lay thou thy basis sure,
For goodness dare not check thee. Wear thou thy wrongs;
The title is affeer'd. Fare thee well, lord.
I would not be the villain that thou think'st
For the whole space that's in the tyrant's grasp
And the rich East to boot.

MALCOLM
Be not offended;
I speak not as in absolute fear of you.
I think our country sinks beneath the yoke;
It weeps, it bleeds, and each new day a gash
Is added to her wounds. I think withal
There would be hands uplifted in my right;
And here from gracious England have I offer
Of goodly thousands. But for all this,
When I shall tread upon the tyrant's head,
Or wear it on my sword, yet my poor country
Shall have more vices than it had before,
More suffer and more sundry ways than ever,
By him that shall succeed.

MACDUFF
What should he be?

MALCOLM
It is myself I mean, in whom I know
All the particulars of vice so grafted
That, when they shall be open'd, black Macbeth
Will seem as pure as snow, and the poor state
Esteem him as a lamb, being compared
With my confineless harms.

MACDUFF
Not in the legions
Of horrid hell can come a devil more damn'd
In evils to top Macbeth.

MALCOLM
I grant him bloody,
Luxurious, avaricious, false, deceitful,
Sudden, malicious, smacking of every sin
That has a name. But there's no bottom, none,
In my voluptuousness. Your wives, your daughters,
Your matrons, and your maids could not fill up
The cestern of my lust, and my desire
All continent impediments would o'erbear
That did oppose my will. Better Macbeth
Than such an one to reign.

MACDUFF
Boundless intemperance
In nature is a tyranny; it hath been
The untimely emptying of the happy throne,
And fall of many kings. But fear not yet
To take upon you what is yours. You may
Convey your pleasures in a spacious plenty
And yet seem cold, the time you may so hoodwink.
We have willing dames enough; there cannot be
That vulture in you to devour so many
As will to greatness dedicate themselves,
Finding it so inclined.

MALCOLM
With this there grows
In my most ill-composed affection such
A stanchless avarice that, were I King,
I should cut off the nobles for their lands,
Desire his jewels and this other's house,
And my more-having would be as a sauce
To make me hunger more, that I should forge
Quarrels unjust against the good and loyal,
Destroying them for wealth.

MACDUFF
This avarice
Sticks deeper, grows with more pernicious root
Than summer-seeming lust, and it hath been
The sword of our slain kings. Yet do not fear;
Scotland hath foisons to fill up your will
Of your mere own. All these are portable,
With other graces weigh'd.

MALCOLM
But I have none. The king-becoming graces,
As justice, verity, temperance, stableness,
Bounty, perseverance, mercy, lowliness,
Devotion, patience, courage, fortitude,
I have no relish of them, but abound
In the division of each several crime,
Acting it many ways. Nay, had I power, I should
Pour the sweet milk of concord into hell,
Uproar the universal peace, confound
All unity on earth.

MACDUFF
O Scotland, Scotland!

MALCOLM
If such a one be fit to govern, speak.
I am as I have spoken.

MACDUFF
Fit to govern?
No, not to live. O nation miserable!
With an untitled tyrant bloody-scepter'd,
When shalt thou see thy wholesome days again,
Since that the truest issue of thy throne
By his own interdiction stands accursed
And does blaspheme his breed? Thy royal father
Was a most sainted king; the queen that bore thee,
Oftener upon her knees than on her feet,
Died every day she lived. Fare thee well!
These evils thou repeat'st upon thyself
Have banish'd me from Scotland. O my breast,
Thy hope ends here!

MALCOLM
Macduff, this noble passion,
Child of integrity, hath from my soul
Wiped the black scruples, reconciled my thoughts
To thy good truth and honor. Devilish Macbeth
By many of these trains hath sought to win me
Into his power, and modest wisdom plucks me
From over-credulous haste. But God above
Deal between thee and me! For even now
I put myself to thy direction and
Unspeak mine own detraction; here abjure
The taints and blames I laid upon myself,
For strangers to my nature. I am yet
Unknown to woman, never was forsworn,
Scarcely have coveted what was mine own,
At no time broke my faith, would not betray
The devil to his fellow, and delight
No less in truth than life. My first false speaking
Was this upon myself. What I am truly
Is thine and my poor country's to command.
Whither indeed, before thy here-approach,
Old Siward, with ten thousand warlike men
Already at a point, was setting forth.
Now we'll together, and the chance of goodness
Be like our warranted quarrel! Why are you silent?

MACDUFF
Such welcome and unwelcome things at once
'Tis hard to reconcile.

Enter a Doctor.

MALCOLM
Well, more anon. Comes the King forth, I pray you?

DOCTOR
Ay, sir, there are a crew of wretched souls
That stay his cure. Their malady convinces
The great assay of art, but at his touch,
Such sanctity hath heaven given his hand,
They presently amend.

MALCOLM
I thank you, Doctor.

Exit Doctor.

MACDUFF
What's the disease he means?

MALCOLM
'Tis call'd the evil:
A most miraculous work in this good King,
Which often, since my here-remain in England,
I have seen him do. How he solicits heaven,
Himself best knows; but strangely-visited people,
All swol'n and ulcerous, pitiful to the eye,
The mere despair of surgery, he cures,
Hanging a golden stamp about their necks
Put on with holy prayers; and 'tis spoken,
To the succeeding royalty he leaves
The healing benediction. With this strange virtue
He hath a heavenly gift of prophecy,
And sundry blessings hang about his throne
That speak him full of grace.

Enter Ross.

MACDUFF
See, who comes here?

MALCOLM
My countryman, but yet I know him not.

MACDUFF
My ever gentle cousin, welcome hither.

MALCOLM
I know him now. Good God, betimes remove
The means that makes us strangers!

ROSS
Sir, amen.

MACDUFF
Stands Scotland where it did?

ROSS
Alas, poor country,
Almost afraid to know itself! It cannot
Be call'd our mother, but our grave. Where nothing,
But who knows nothing, is once seen to smile;
Where sighs and groans and shrieks that rend the air,
Are made, not mark'd; where violent sorrow seems
A modern ecstasy. The dead man's knell
Is there scarce ask'd for who, and good men's lives
Expire before the flowers in their caps,
Dying or ere they sicken.

MACDUFF
O, relation
Too nice, and yet too true!

MALCOLM
What's the newest grief?

ROSS
That of an hour's age doth hiss the speaker;
Each minute teems a new one.

MACDUFF
How does my wife?

ROSS
Why, well.

MACDUFF
And all my children?

ROSS
Well too.

MACDUFF
The tyrant has not batter'd at their peace?

ROSS
No, they were well at peace when I did leave 'em.

MACDUFF
Be not a niggard of your speech. How goest?

ROSS
When I came hither to transport the tidings,
Which I have heavily borne, there ran a rumor
Of many worthy fellows that were out,
Which was to my belief witness'd the rather,
For that I saw the tyrant's power afoot.
Now is the time of help; your eye in Scotland
Would create soldiers, make our women fight,
To doff their dire distresses.

MALCOLM
Be't their comfort
We are coming thither. Gracious England hath
Lent us good Siward and ten thousand men;
An older and a better soldier none
That Christendom gives out.

ROSS
Would I could answer
This comfort with the like! But I have words
That would be howl'd out in the desert air,
Where hearing should not latch them.

MACDUFF
What concern they?
The general cause? Or is it a fee-grief
Due to some single breast?

ROSS
No mind that's honest
But in it shares some woe, though the main part
Pertains to you alone.

MACDUFF
If it be mine,
Keep it not from me, quickly let me have it.

ROSS
Let not your ears despise my tongue forever,
Which shall possess them with the heaviest sound
That ever yet they heard.

MACDUFF
Humh! I guess at it.

ROSS
Your castle is surprised; your wife and babes
Savagely slaughter'd. To relate the manner
Were, on the quarry of these murther'd deer,
To add the death of you.

MALCOLM
Merciful heaven!
What, man! Neer pull your hat upon your brows;
Give sorrow words. The grief that does not speak
Whispers the o'erfraught heart, and bids it break.

MACDUFF
My children too?

ROSS
Wife, children, servants, all
That could be found.

MACDUFF
And I must be from thence!
My wife kill'd too?

ROSS
I have said.

MALCOLM
Be comforted.
Let's make us medicines of our great revenge,
To cure this deadly grief.

MACDUFF
He has no children. All my pretty ones?
Did you say all? O hell-kite! All?
What, all my pretty chickens and their dam
At one fell swoop?

MALCOLM
Dispute it like a man.

MACDUFF
I shall do so,
But I must also feel it as a man.
I cannot but remember such things were
That were most precious to me. Did heaven look on,
And would not take their part? Sinful Macduff,
They were all struck for thee! Naught that I am,
Not for their own demerits, but for mine,
Fell slaughter on their souls. Heaven rest them now!

MALCOLM
Be this the whetstone of your sword. Let grief
Convert to anger; blunt not the heart, enrage it.

MACDUFF
O, I could play the woman with mine eyes
And braggart with my tongue! But, gentle heavens,
Cut short all intermission; front to front
Bring thou this fiend of Scotland and myself;
Within my sword's length set him; if he 'scape,
Heaven forgive him too!

MALCOLM
This tune goes manly.
Come, go we to the King; our power is ready,
Our lack is nothing but our leave. Macbeth
Is ripe for shaking, and the powers above
Put on their instruments. Receive what cheer you may,
The night is long that never finds the day.

Exeunt.

Frequently Asked Questions about ACT IV - Scene III from Macbeth

What happens in Act 4, Scene 3 of Macbeth?

Act 4, Scene 3 of Macbeth takes place at the English court and is the longest scene in the play. Malcolm tests Macduff's loyalty by falsely claiming to possess every vice imaginable—lust, greed, and a total absence of kingly virtues. When Macduff despairs and prepares to abandon hope for Scotland, Malcolm reveals it was all a test and declares himself virtuous. He also announces that ten thousand English soldiers under Old Siward are ready to march against Macbeth. Ross then arrives with the devastating news that Macbeth has had Macduff's wife, children, and household servants slaughtered. Macduff swears personal vengeance, and the men prepare to invade Scotland.

Why does Malcolm test Macduff in Act 4, Scene 3?

Malcolm tests Macduff because he suspects Macduff may be an agent sent by Macbeth to lure him back to Scotland and kill him. Since Macbeth has already murdered Duncan and seized the throne through treachery, Malcolm cannot afford to trust anyone who arrives from Scotland. He specifically questions why Macduff left his wife and children behind unprotected, which could indicate either genuine urgency or a trap. By pretending to be worse than Macbeth, Malcolm forces Macduff to reveal his true loyalties—if Macduff were Macbeth's agent, he would likely flatter Malcolm regardless of what vices he claimed.

What vices does Malcolm falsely claim to have?

Malcolm accuses himself of three escalating categories of vice. First, he claims boundless lust, saying no number of women could satisfy him. Second, he professes insatiable greed, declaring he would steal the lands, jewels, and houses of his nobles and forge unjust quarrels to destroy them for their wealth. Third—and most damning—he says he possesses none of the king-becoming graces: justice, verity, temperance, mercy, courage, devotion, patience, and fortitude. He claims he would "pour the sweet milk of concord into hell" and destroy all peace on earth.

What is the significance of the English King's healing touch in Act 4, Scene 3?

The passage about King Edward the Confessor healing the sick through the "royal touch" serves as a deliberate contrast with Macbeth's Scotland. While Edward cures "the evil" (scrofula) by laying on hands and hanging golden coins around patients' necks, Macbeth spreads disease and death throughout his kingdom. The episode reinforces Shakespeare's theme that legitimate kingship brings healing, order, and divine grace, while tyranny and usurpation bring sickness and chaos. The passage was also a topical compliment to King James I, who claimed descent from Banquo and practiced the healing touch himself.

What does Macduff mean by "He has no children"?

Macduff's line "He has no children" is one of Shakespeare's most debated lines. The most widely accepted interpretation is that "he" refers to Macbeth—Macduff means that Macbeth could never understand the devastation of losing one's children because he has none of his own, making true revenge impossible. A second reading holds that "he" refers to Malcolm, who just told Macduff to "dispute it like a man"—Malcolm cannot understand Macduff's grief because he has no children. The ambiguity is likely deliberate, as both meanings capture Macduff's overwhelming sense of isolation in his grief.

How does Macduff react to the news of his family's murder?

Macduff's reaction unfolds in several devastating stages. At first he is stunned into near-silence, pulling his hat over his brows. When Malcolm tells him to "give sorrow words," Macduff asks repeatedly for confirmation—"My children too?" "My wife kill'd too?" "Did you say all?"—as though unable to absorb the truth. He then blames himself, calling himself "sinful Macduff" and saying his family was "struck for thee"—killed because of his own actions in opposing Macbeth. When Malcolm urges him to convert grief to anger, Macduff insists he must "feel it as a man" before he can fight. He then swears to face Macbeth personally and kill him.

What are the king-becoming graces Malcolm lists?

Malcolm lists twelve king-becoming graces that he claims to lack entirely: justice, verity, temperance, stableness, bounty, perseverance, mercy, lowliness, devotion, patience, courage, and fortitude. These virtues represent Shakespeare's ideal of legitimate kingship and serve as a direct contrast to Macbeth's rule, which is characterized by cruelty, deception, and paranoia. By claiming he possesses none of these qualities, Malcolm pushes Macduff to the breaking point—Macduff declares that a man without these graces is "not to live," let alone govern.

What role does Ross play in Act 4, Scene 3 of Macbeth?

Ross arrives from Scotland late in the scene bearing the worst possible news. He initially tries to soften the blow, telling Macduff his family is "well" and "at peace"—phrases that are technically true since they are dead. He first reports on Scotland's general misery, describing it as a grave rather than a mother, where "good men's lives expire before the flowers in their caps." Only when pressed does he reveal that Macduff's castle has been attacked and his wife and children "savagely slaughter'd." Ross's hesitation and euphemisms heighten the dramatic tension and show how the culture of fear under Macbeth makes even honest men speak in coded language.

 

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