ACT III - Scene V Romeo and Juliet


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Capulet's orchard.

Enter Romeo and Juliet aloft, at the Window.

JULIET
Wilt thou be gone? It is not yet near day.
It was the nightingale, and not the lark,
That pierc'd the fearful hollow of thine ear.
Nightly she sings on yond pomegranate tree.
Believe me, love, it was the nightingale.

ROMEO
It was the lark, the herald of the morn;

No nightingale. Look, love, what envious streaks
Do lace the severing clouds in yonder East.
Night's candles are burnt out, and jocund day
Stands tiptoe on the misty mountain tops.
I must be gone and live, or stay and die.

JULIET
Yond light is not daylight;
I know it, I.
It is some meteor that the sun exhales
To be to thee this night a torchbearer
And light thee on the way to Mantua.
Therefore stay yet;
thou need'st not to be gone.

ROMEO
Let me be ta'en, let me be put to death.
I am content, so thou wilt have it so.
I'll say yon grey is not the morning's eye,
'Tis but the pale reflex of Cynthia's brow;

Nor that is not the lark whose notes do beat
The vaulty heaven so high above our heads.
I have more care to stay than will to go.
Come, death, and welcome! Juliet wills it so.
How is't, my soul? Let's talk;
it is not day.

JULIET
It is, it is! Hie hence, be gone, away!
It is the lark that sings so out of tune,
Straining harsh discords and unpleasing sharps.
Some say the lark makes sweet division;

This doth not so, for she divideth us.
Some say the lark and loathed toad chang'd eyes;

O, now I would they had chang'd voices too,
Since arm from arm that voice doth us affray,
Hunting thee hence with hunt's-up to the day!
O, now be gone! More light and light it grows.

ROMEO
More light and light- more dark and dark our woes!

Enter Nurse.

NURSE
Madam!

JULIET
Nurse?

NURSE
Your lady mother is coming to your chamber.
The day is broke;
be wary, look about.

JULIET
Then, window, let day in, and let life out.

[Exit.]

ROMEO
Farewell, farewell! One kiss, and I'll descend.

He goeth down.

JULIET
Art thou gone so, my lord, my love, my friend?
I must hear from thee every day in the hour,
For in a minute there are many days.
O, by this count I shall be much in years
Ere I again behold my Romeo!

ROMEO
Farewell!
I will omit no opportunity
That may convey my greetings, love, to thee.

JULIET
O, think'st thou we shall ever meet again?

ROMEO
I doubt it not;
and all these woes shall serve
For sweet discourses in our time to come.

JULIET
O God, I have an ill-divining soul!
Methinks I see thee, now thou art below,
As one dead in the bottom of a tomb.
Either my eyesight fails, or thou look'st pale.

ROMEO
And trust me, love, in my eye so do you.
Dry sorrow drinks our blood. Adieu, adieu!

Exit.

JULIET
O Fortune, Fortune! all men call thee fickle.
If thou art fickle, what dost thou with him
That is renown'd for faith? Be fickle, Fortune,
For then I hope thou wilt not keep him long
But send him back.

LADY CAPULET
[within] Ho, daughter! are you up?

JULIET
Who is't that calls? It is my lady mother.
Is she not down so late, or up so early?
What unaccustom'd cause procures her hither?

Enter Mother.

LADY CAPULET
Why, how now, Juliet?

JULIET
Madam, I am not well.

LADY CAPULET
Evermore weeping for your cousin's death?
What, wilt thou wash him from his grave with tears?
An if thou couldst, thou couldst not make him live.
Therefore have done. Some grief shows much of love;

But much of grief shows still some want of wit.

JULIET
Yet let me weep for such a feeling loss.

LADY CAPULET
So shall you feel the loss, but not the friend
Which you weep for.

JULIET
Feeling so the loss,
I cannot choose but ever weep the friend.

LADY CAPULET
Well, girl, thou weep'st not so much for his death
As that the villain lives which slaughter'd him.

JULIET
What villain, madam?

LADY CAPULET
That same villain Romeo.

JULIET
[aside] Villain and he be many miles asunder.-
God pardon him! I do, with all my heart;

And yet no man like he doth grieve my heart.

LADY CAPULET
That is because the traitor murderer lives.

JULIET
Ay, madam, from the reach of these my hands.
Would none but I might venge my cousin's death!

LADY CAPULET
We will have vengeance for it, fear thou not.
Then weep no more. I'll send to one in Mantua,
Where that same banish'd runagate doth live,
Shall give him such an unaccustom'd dram
That he shall soon keep Tybalt company;

And then I hope thou wilt be satisfied.

JULIET
Indeed I never shall be satisfied
With Romeo till I behold him- dead-
Is my poor heart so for a kinsman vex'd.
Madam, if you could find out but a man
To bear a poison, I would temper it;

That Romeo should, upon receipt thereof,
Soon sleep in quiet. O, how my heart abhors
To hear him nam'd and cannot come to him,
To wreak the love I bore my cousin Tybalt
Upon his body that hath slaughter'd him!

LADY CAPULET
Find thou the means, and I'll find such a man.
But now I'll tell thee joyful tidings, girl.

JULIET
And joy comes well in such a needy time.
What are they, I beseech your ladyship?

LADY CAPULET
Well, well, thou hast a careful father, child;

One who, to put thee from thy heaviness,
Hath sorted out a sudden day of joy
That thou expects not nor I look'd not for.

JULIET
Madam, in happy time! What day is that?

LADY CAPULET
Marry, my child, early next Thursday morn
The gallant, young, and noble gentleman,
The County Paris, at Saint Peter's Church,
Shall happily make thee there a joyful bride.

JULIET
Now by Saint Peter's Church, and Peter too,
He shall not make me there a joyful bride!
I wonder at this haste, that I must wed
Ere he that should be husband comes to woo.
I pray you tell my lord and father, madam,
I will not marry yet;
and when I do, I swear
It shall be Romeo, whom you know I hate,
Rather than Paris. These are news indeed!

LADY CAPULET
Here comes your father. Tell him so yourself,
And see how he will take it at your hands.

Enter Capulet and Nurse.

CAPULET
When the sun sets the air doth drizzle dew,
But for the sunset of my brother's son
It rains downright.
How now? a conduit, girl? What, still in tears?
Evermore show'ring? In one little body
Thou counterfeit'st a bark, a sea, a wind:
For still thy eyes, which I may call the sea,
Do ebb and flow with tears;
the bark thy body is
Sailing in this salt flood;
the winds, thy sighs,
Who, raging with thy tears and they with them,
Without a sudden calm will overset
Thy tempest-tossed body. How now, wife?
Have you delivered to her our decree?

LADY CAPULET
Ay, sir;
but she will none, she gives you thanks.
I would the fool were married to her grave!

CAPULET
Soft! take me with you, take me with you, wife.
How? Will she none? Doth she not give us thanks?
Is she not proud? Doth she not count her blest,
Unworthy as she is, that we have wrought
So worthy a gentleman to be her bridegroom?

JULIET
Not proud you have, but thankful that you have.
Proud can I never be of what I hate,
But thankful even for hate that is meant love.

CAPULET
How now, how now, choplogic? What is this?
'Proud'- and 'I thank you'- and 'I thank you not'-
And yet 'not proud'? Mistress minion you,
Thank me no thankings, nor proud me no prouds,
But fettle your fine joints 'gainst Thursday next
To go with Paris to Saint Peter's Church,
Or I will drag thee on a hurdle thither.
Out, you green-sickness carrion I out, you baggage!
You tallow-face!

LADY CAPULET
Fie, fie! what, are you mad?

JULIET
Good father, I beseech you on my knees,
Hear me with patience but to speak a word.

CAPULET
Hang thee, young baggage! disobedient wretch!
I tell thee what- get thee to church a Thursday
Or never after look me in the face.
Speak not, reply not, do not answer me!
My fingers itch. Wife, we scarce thought us blest
That God had lent us but this only child;

But now I see this one is one too much,
And that we have a curse in having her.
Out on her, hilding!

NURSE
God in heaven bless her!
You are to blame, my lord, to rate her so.

CAPULET
And why, my Lady Wisdom? Hold your tongue,
Good Prudence. Smatter with your gossips, go!

NURSE
I speak no treason.

CAPULET
O, God-i-god-en!

NURSE
May not one speak?

CAPULET
Peace, you mumbling fool!
Utter your gravity o'er a gossip's bowl,
For here we need it not.

LADY CAPULET
You are too hot.

CAPULET
God's bread I it makes me mad. Day, night, late, early,
At home, abroad, alone, in company,
Waking or sleeping, still my care hath been
To have her match'd;
and having now provided
A gentleman of princely parentage,
Of fair demesnes, youthful, and nobly train'd,
Stuff'd, as they say, with honourable parts,
Proportion'd as one's thought would wish a man-
And then to have a wretched puling fool,
A whining mammet, in her fortune's tender,
To answer 'I'll not wed, I cannot love;

I am too young, I pray you pardon me'!
But, an you will not wed, I'll pardon you.
Graze where you will, you shall not house with me.
Look to't, think on't;
I do not use to jest.
Thursday is near;
lay hand on heart, advise:
An you be mine, I'll give you to my friend;

An you be not, hang, beg, starve, die in the streets,
For, by my soul, I'll ne'er acknowledge thee,
Nor what is mine shall never do thee good.
Trust to't. Bethink you. I'll not be forsworn.

Exit.

JULIET
Is there no pity sitting in the clouds
That sees into the bottom of my grief?
O sweet my mother, cast me not away!
Delay this marriage for a month, a week;

Or if you do not, make the bridal bed
In that dim monument where Tybalt lies.

LADY CAPULET
Talk not to me, for I'll not speak a word.
Do as thou wilt, for I have done with thee.

Exit.

JULIET
O God!- O nurse, how shall this be prevented?
My husband is on earth, my faith in heaven.
How shall that faith return again to earth
Unless that husband send it me from heaven
By leaving earth? Comfort me, counsel me.
Alack, alack, that heaven should practise stratagems
Upon so soft a subject as myself!
What say'st thou? Hast thou not a word of joy?
Some comfort, nurse.

NURSE
Faith, here it is.
Romeo is banish'd;
and all the world to nothing
That he dares ne'er come back to challenge you;

Or if he do, it needs must be by stealth.
Then, since the case so stands as now it doth,
I think it best you married with the County.
O, he's a lovely gentleman!
Romeo's a dishclout to him. An eagle, madam,
Hath not so green, so quick, so fair an eye
As Paris hath. Beshrew my very heart,
I think you are happy in this second match,
For it excels your first;
or if it did not,
Your first is dead- or 'twere as good he were
As living here and you no use of him.

JULIET
Speak'st thou this from thy heart?

NURSE
And from my soul too;
else beshrew them both.

JULIET
Amen!

NURSE
What?

JULIET
Well, thou hast comforted me marvellous much.
Go in;
and tell my lady I am gone,
Having displeas'd my father, to Laurence' cell,
To make confession and to be absolv'd.

NURSE
Marry, I will;
and this is wisely done.

Exit.

JULIET
Ancient damnation! O most wicked fiend!
Is it more sin to wish me thus forsworn,
Or to dispraise my lord with that same tongue
Which she hath prais'd him with above compare
So many thousand times? Go, counsellor!
Thou and my bosom henceforth shall be twain.
I'll to the friar to know his remedy.
If all else fail, myself have power to die.

Exit.

Frequently Asked Questions about ACT III - Scene V from Romeo and Juliet

What happens in Act 3, Scene 5 of Romeo and Juliet?

Act 3, Scene 5 begins at dawn with Romeo and Juliet's farewell after their only night together as husband and wife. Juliet tries to delay Romeo's departure by insisting the birdsong they hear is a nightingale, not a lark, but Romeo knows he must leave for Mantua or face execution. After he descends from the balcony, Lady Capulet arrives to announce that Lord Capulet has arranged Juliet's marriage to Count Paris for Thursday. Juliet refuses, provoking her father into a violent rage in which he threatens to disown her. When the Nurse advises Juliet to forget Romeo and marry Paris, Juliet breaks with her former confidante and resolves to seek help from Friar Laurence, declaring that if all else fails, she has the "power to die."

What is the significance of the lark and nightingale in Act 3, Scene 5?

The lark and nightingale serve as opposing symbols in the scene's opening aubade (dawn song). Juliet insists the bird they hear is the nightingale—a creature of the night—because night has been the lovers' protector throughout the play. Romeo correctly identifies it as the lark, which sings at dawn and signals he must leave or die. Shakespeare inverts the traditional symbolism of light and darkness: daylight, usually associated with hope, becomes a threat, while night represents love and safety. The debate also functions as a metaphor for the lovers' impossible desire to stop time and remain in their private world, even as reality closes in around them.

How does Juliet use double meanings when speaking to her mother about Romeo?

When Lady Capulet assumes Juliet weeps for Tybalt and curses Romeo as a villain, Juliet responds with a series of brilliantly equivocal statements that her mother interprets as hatred for Romeo but that actually express love. For example, Juliet says "Villain and he be many miles asunder," meaning Romeo is no villain, while her mother hears that Romeo is far from being punished. Most strikingly, Juliet declares "Indeed I never shall be satisfied / With Romeo till I behold him—dead— / Is my poor heart," where a pause after "him" reverses the meaning entirely. This dramatic irony showcases Juliet's verbal intelligence and marks her growth from the obedient girl of Act I into a young woman who can navigate dangerous conversations with composure.

Why does Lord Capulet threaten to disown Juliet in Act 3, Scene 5?

Lord Capulet threatens to disown Juliet because she refuses to marry Count Paris, the wealthy nobleman he has chosen as her husband. Capulet views the match as an act of fatherly love—he has secured a man of "princely parentage" and "fair demesnes"—and is outraged that Juliet rejects what he considers an extraordinary gift. His fury reveals the patriarchal power structure of Elizabethan Verona: a daughter's consent, which Capulet himself valued in Act I, is now irrelevant once his authority is challenged. He calls Juliet a "disobedient wretch," a "baggage," and a "tallow-face," threatening that she will "hang, beg, starve, die in the streets" if she defies him. Neither Lady Capulet nor the Nurse can restrain his anger.

Why does the Nurse tell Juliet to marry Paris in Act 3, Scene 5?

After Lord Capulet storms out and Lady Capulet abandons her, Juliet turns to the Nurse for comfort. The Nurse advises Juliet to forget Romeo—who is banished and may never return—and marry Paris instead, calling him "a lovely gentleman" and declaring that "Romeo's a dishclout to him." The Nurse's advice is pragmatic rather than romantic: she weighs practical security over emotional bonds, reasoning that a present husband is better than an absent one. For Juliet, this counsel constitutes a devastating betrayal, since the Nurse had previously championed Romeo and facilitated the secret marriage. The moment permanently severs Juliet's trust in her lifelong caretaker and leaves her completely isolated.

What literary devices does Shakespeare use in Act 3, Scene 5?

Shakespeare employs several key literary devices in this pivotal scene. The opening is an aubade, a traditional dawn song in which lovers debate whether it is time to part. Dramatic irony pervades the conversation between Juliet and Lady Capulet, as the audience knows Juliet's grief is for Romeo's banishment, not Tybalt's death. Foreshadowing appears when Juliet sees Romeo "as one dead in the bottom of a tomb" and later tells her mother to "make the bridal bed / In that dim monument where Tybalt lies"—both images anticipate the lovers' deaths in Act V. Capulet uses an extended metaphor comparing Juliet to a ship in a storm, and personification appears in Romeo's description of "jocund day" standing "tiptoe on the misty mountain tops."

How does Act 3, Scene 5 mark a turning point in Juliet's character?

Act 3, Scene 5 is the scene in which Juliet completes her transformation from sheltered girl to independent young woman. She demonstrates sharp rhetorical skill in her equivocal exchange with Lady Capulet, defies her father's tyrannical demands despite the threat of being cast out, and—most significantly—breaks permanently with the Nurse, the woman who raised her. By rejecting the Nurse's pragmatic advice, Juliet abandons the last emotional support of her childhood and chooses to act entirely on her own judgment. Her final soliloquy, in which she condemns the Nurse as "ancient damnation" and resolves to seek Friar Laurence or die, shows a character who has fully accepted the consequences of her choices, even unto death.

What foreshadowing occurs in Romeo and Juliet Act 3, Scene 5?

Act 3, Scene 5 contains some of the play's most explicit foreshadowing of the lovers' deaths. As Romeo descends from the balcony, Juliet says, "Methinks I see thee, now thou art below, / As one dead in the bottom of a tomb," directly anticipating the final scene in the Capulet vault. Romeo confirms the ominous vision by noting that Juliet, too, looks pale, and comments that "dry sorrow drinks our blood." Later, when refusing the marriage to Paris, Juliet tells her mother to "make the bridal bed / In that dim monument where Tybalt lies"—unknowingly describing the exact location where she will die. Her closing line, "myself have power to die," foreshadows her eventual suicide. These moments transform a domestic conflict into a scene heavy with tragic inevitability.

 

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