The Old Man and Death


The Old Man and Death (Perry Index 60) is one of Aesop's most psychologically acute observations about human nature. The fable inspired Jean de La Fontaine to write two separate verse adaptations—La Mort et le malheureux (I.15) and La Mort et le bûcheron (I.16)—and was memorably depicted by Joseph Wright of Derby in the 18th century.

An old man, bent with age and wearied by a long day's labor, was trudging home through the forest with a heavy bundle of sticks upon his back. At last, his legs trembling and his breath short, he could carry the load no farther. He set the bundle down by the roadside and sank to the ground.

"Oh, Death!" he cried aloud. "Come and take me! I am so tired of this wretched life that I can bear it no longer!"

No sooner had he spoken than Death appeared before him — a tall, silent figure wrapped in shadow.

"You called for me," said Death. "Here I am. What would you have me do?"

The old man stared up in terror, his eyes wide and his mouth trembling. All his complaints vanished in an instant.

"Oh," he stammered, "I — I only wanted to ask if you would be good enough to help me lift this bundle of sticks back onto my shoulders."

We may tire of life, but we cling to it still.


Frequently Asked Questions about The Old Man and Death

What is the moral of "The Old Man and Death"?

The moral is that people may complain bitterly about life's hardships, but when faced with the actual prospect of death, they discover how desperately they want to keep living. As Aesop puts it: "We may tire of life, but we cling to it still." The fable warns us to be careful what we wish for and to recognize that our worst moments do not reflect our true desires.

What is the Perry Index number for this fable?

The Old Man and Death is Perry Index 60. The Perry Index is the standard classification system for Aesop's fables, created by classicist Ben Edwin Perry. This fable is also classified as Aarne–Thompson–Uther tale type 845, "The Man Who Wanted to Die," reflecting its wide distribution across world folklore.

Why does the old man change his mind so quickly?

The old man's instant reversal is the psychological heart of the fable. His cry for Death was never a genuine wish—it was the language of exhaustion and frustration. When Death appears and makes the abstract suddenly real, the survival instinct takes over immediately. Aesop shows that no amount of suffering fully extinguishes our attachment to life.

How did La Fontaine adapt this fable?

Jean de La Fontaine was so drawn to this fable that he wrote two verse adaptations and placed them side by side in his Fables (1668). The first, La Mort et le malheureux (I.15), emphasizes the moral lesson. The second, La Mort et le bûcheron (I.16), stays closer to Aesop's original dramatic scene. La Fontaine noted he rewrote it after a critic challenged his first version.

What does the bundle of sticks symbolize?

The bundle of sticks represents the accumulated burdens of a hard life—physical labor, old age, weariness, and suffering. The old man's desperate request for Death to help lift the bundle back onto his shoulders is the fable's wry punchline: even our heaviest burdens are preferable to the alternative. The sticks transform from a symbol of misery into a symbol of the life the old man refuses to surrender.

Is this fable about suicide?

Not exactly. The fable is about the gap between what people say in moments of despair and what they actually want. The old man's cry for Death is an expression of frustration, not a deliberate plan. Aesop's point is that humans use dramatic language when they are suffering, but the survival instinct is far stronger than momentary despair. The story ultimately affirms life.

What makes this fable different from other Aesop stories?

Unlike most Aesop fables, this one features a human protagonist rather than animals, and Death appears as a literal character. It is also unusually psychological—there is no trickery, no competition, no predator and prey. The entire story hinges on a single moment of self-revelation, making it one of Aesop's most intimate and emotionally honest works.

What other Aesop fables explore similar themes?

Several Aesop fables deal with the gap between what we say we want and what we truly need. The Fisherman and the Little Fish explores wanting more than what we have. Two Travelers and a Bear tests whether people live up to their bold claims under pressure. The Quack Toad examines the difference between words and reality. And The Bat, the Bramble, and the Seagull shows how loss shapes our choices in unexpected ways.

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