Frequently Asked Questions about Chapter 79 - The Prairie from Moby-Dick; or, The Whale
What is the main subject of Moby-Dick Chapter 79, "The Prairie"?
Chapter 79 is Ishmael's attempt to apply physiognomy (reading character from facial features) and phrenology (reading character from skull shape) to the Sperm Whale. He examines the whale's lack of a nose, the grandeur of its massive brow, and ultimately concludes that these pseudo-sciences cannot decipher the whale's true nature. The chapter title, "The Prairie," refers metaphorically to the vast, flat expanse of the whale's forehead.
Why does Ishmael say the Sperm Whale's lack of a nose is "an added grandeur"?
Ishmael argues that while a missing nose would be a hideous deficiency on a human face or a marble statue of Jove, the Sperm Whale's proportions are so stately and magnificent that the absence becomes a positive feature. A nose on the whale would actually be "impertinent" — an unnecessary and undignified addition. He humorously notes that when you sail around the whale's head, "your noble conceptions of him are never insulted by the reflection that he has a nose to be pulled."
What does Ishmael mean by the whale's "pyramidical silence"?
Ishmael uses "pyramidical silence" to describe the whale's genius, which is proven not by speech or writing but by an immense, ancient, monumental quiet — like the pyramids themselves. The word "pyramidical" evokes both the geometric shape of the whale's head and the enduring, inscrutable grandeur of Egyptian monuments. Ishmael argues this silence would have led ancient civilizations to deify the whale, just as the Egyptians worshipped the tongueless crocodile of the Nile.
What is Melville's critique of physiognomy and phrenology in Chapter 79?
Throughout the chapter, Melville satirizes physiognomy and phrenology by having Ishmael attempt to apply them to a whale — an absurd enterprise that exposes their limitations. The chapter builds to Ishmael's explicit conclusion that "Physiognomy, like every other human science, is but a passing fable." He argues that if Sir William Jones, who read thirty languages, could not read a peasant's face, then no one can truly read the whale's brow. The chapter suggests that all acts of interpretation — reading faces, reading nature, reading texts — are ultimately limited by human understanding.
Who are Lavater, Gall, and Spurzheim mentioned in Chapter 79 of Moby-Dick?
Johann Kaspar Lavater (1741–1801) was a Swiss pastor who popularized physiognomy, the study of facial features as indicators of character. He authored a famous multi-volume work that examined faces of humans and animals. Franz Joseph Gall (1758–1828) was a German neuroanatomist who founded phrenology, the belief that skull shape reveals mental faculties. Johann Gaspar Spurzheim (1776–1832) was Gall's most prominent disciple who helped popularize phrenology across Europe and America. Ishmael references all three as pioneers whose methods he will attempt to apply to the whale.
What is the significance of the final line, "I but put that brow before you. Read it if you can"?
The final line serves as a direct challenge to the reader that operates on multiple levels. Literally, Ishmael is admitting he cannot decode the whale's forehead and daring the reader to try. Metaphorically, it connects reading a brow to reading a book — Melville is suggesting that the act of reading Moby-Dick itself is as mysterious and resistant to full comprehension as reading the whale's face. The line also reinforces the chapter's theme that nature's deepest meanings may be permanently beyond human decipherment, no matter how many sciences or languages we command.