The Awakening

by Kate Chopin


Previous Chapter Next Chapter

Chapter XII


She slept but a few hours. They were troubled and feverish hours, disturbed with dreams that were intangible, that eluded her, leaving only an impression upon her half-awakened senses of something unattainable. She was up and dressed in the cool of the early morning. The air was invigorating and steadied somewhat her faculties. However, she was not seeking refreshment or help from any source, either external or from within. She was blindly following whatever impulse moved her, as if she had placed herself in alien hands for direction, and freed her soul of responsibility.

Most of the people at that early hour were still in bed and asleep. A few, who intended to go over to the Cheniere for mass, were moving about. The lovers, who had laid their plans the night before, were already strolling toward the wharf. The lady in black, with her Sunday prayer-book, velvet and gold-clasped, and her Sunday silver beads, was following them at no great distance. Old Monsieur Farival was up, and was more than half inclined to do anything that suggested itself. He put on his big straw hat, and taking his umbrella from the stand in the hall, followed the lady in black, never overtaking her.

The little negro girl who worked Madame Lebrun's sewing-machine was sweeping the galleries with long, absent-minded strokes of the broom. Edna sent her up into the house to awaken Robert.

“Tell him I am going to the Cheniere. The boat is ready; tell him to hurry.”

He had soon joined her. She had never sent for him before. She had never asked for him. She had never seemed to want him before. She did not appear conscious that she had done anything unusual in commanding his presence. He was apparently equally unconscious of anything extraordinary in the situation. But his face was suffused with a quiet glow when he met her.

They went together back to the kitchen to drink coffee. There was no time to wait for any nicety of service. They stood outside the window and the cook passed them their coffee and a roll, which they drank and ate from the window-sill. Edna said it tasted good.

She had not thought of coffee nor of anything. He told her he had often noticed that she lacked forethought.

“Wasn't it enough to think of going to the Cheniere and waking you up?” she laughed. “Do I have to think of everything?—as Leonce says when he's in a bad humor. I don't blame him; he'd never be in a bad humor if it weren't for me.”

They took a short cut across the sands. At a distance they could see the curious procession moving toward the wharf—the lovers, shoulder to shoulder, creeping; the lady in black, gaining steadily upon them; old Monsieur Farival, losing ground inch by inch, and a young barefooted Spanish girl, with a red kerchief on her head and a basket on her arm, bringing up the rear.

Robert knew the girl, and he talked to her a little in the boat. No one present understood what they said. Her name was Mariequita. She had a round, sly, piquant face and pretty black eyes. Her hands were small, and she kept them folded over the handle of her basket. Her feet were broad and coarse. She did not strive to hide them. Edna looked at her feet, and noticed the sand and slime between her brown toes.

Beaudelet grumbled because Mariequita was there, taking up so much room. In reality he was annoyed at having old Monsieur Farival, who considered himself the better sailor of the two. But he he would not quarrel with so old a man as Monsieur Farival, so he quarreled with Mariequita. The girl was deprecatory at one moment, appealing to Robert. She was saucy the next, moving her head up and down, making “eyes” at Robert and making “mouths” at Beaudelet.

The lovers were all alone. They saw nothing, they heard nothing. The lady in black was counting her beads for the third time. Old Monsieur Farival talked incessantly of what he knew about handling a boat, and of what Beaudelet did not know on the same subject.

Edna liked it all. She looked Mariequita up and down, from her ugly brown toes to her pretty black eyes, and back again.

“Why does she look at me like that?” inquired the girl of Robert.

“Maybe she thinks you are pretty. Shall I ask her?”

“No. Is she your sweetheart?”

“She's a married lady, and has two children.”

“Oh! well! Francisco ran away with Sylvano's wife, who had four children. They took all his money and one of the children and stole his boat.”

“Shut up!”

“Does she understand?”

“Oh, hush!”

“Are those two married over there—leaning on each other?”

“Of course not,” laughed Robert.

“Of course not,” echoed Mariequita, with a serious, confirmatory bob of the head.

The sun was high up and beginning to bite. The swift breeze seemed to Edna to bury the sting of it into the pores of her face and hands. Robert held his umbrella over her. As they went cutting sidewise through the water, the sails bellied taut, with the wind filling and overflowing them. Old Monsieur Farival laughed sardonically at something as he looked at the sails, and Beaudelet swore at the old man under his breath.

Sailing across the bay to the Cheniere Caminada, Edna felt as if she were being borne away from some anchorage which had held her fast, whose chains had been loosening—had snapped the night before when the mystic spirit was abroad, leaving her free to drift whithersoever she chose to set her sails. Robert spoke to her incessantly; he no longer noticed Mariequita. The girl had shrimps in her bamboo basket. They were covered with Spanish moss. She beat the moss down impatiently, and muttered to herself sullenly.

“Let us go to Grande Terre to-morrow?” said Robert in a low voice.

“What shall we do there?”

“Climb up the hill to the old fort and look at the little wriggling gold snakes, and watch the lizards sun themselves.”

She gazed away toward Grande Terre and thought she would like to be alone there with Robert, in the sun, listening to the ocean's roar and watching the slimy lizards writhe in and out among the ruins of the old fort.

“And the next day or the next we can sail to the Bayou Brulow,” he went on.

“What shall we do there?”

“Anything—cast bait for fish.”

“No; we'll go back to Grande Terre. Let the fish alone.”

“We'll go wherever you like,” he said. “I'll have Tonie come over and help me patch and trim my boat. We shall not need Beaudelet nor any one. Are you afraid of the pirogue?”

“Oh, no.”

“Then I'll take you some night in the pirogue when the moon shines. Maybe your Gulf spirit will whisper to you in which of these islands the treasures are hidden—direct you to the very spot, perhaps.”

“And in a day we should be rich!” she laughed. “I'd give it all to you, the pirate gold and every bit of treasure we could dig up. I think you would know how to spend it. Pirate gold isn't a thing to be hoarded or utilized. It is something to squander and throw to the four winds, for the fun of seeing the golden specks fly.”

“We'd share it, and scatter it together,” he said. His face flushed.

They all went together up to the quaint little Gothic church of Our Lady of Lourdes, gleaming all brown and yellow with paint in the sun's glare.

Only Beaudelet remained behind, tinkering at his boat, and Mariequita walked away with her basket of shrimps, casting a look of childish ill humor and reproach at Robert from the corner of her eye.

Frequently Asked Questions about Chapter XII from The Awakening

What happens in Chapter 12 of The Awakening?

After a restless night of troubled dreams, Edna wakes early and impulsively sends for Robert to join her on a boat trip to Cheniere Caminada for Sunday mass. They share a hurried breakfast, then sail across the bay with a group including the lovers, the lady in black, old Monsieur Farival, and a young Spanish girl named Mariequita. During the crossing, Edna and Robert grow increasingly intimate, planning future adventures together. Edna experiences a powerful sense of liberation, feeling as though chains holding her to her old life have finally snapped. The group arrives at the small Gothic church of Our Lady of Lourdes.

What is the significance of Edna sending for Robert in Chapter 12?

This is the first time Edna has ever sent for Robert, asked for him, or appeared to want him. It marks a pivotal shift in her character from passive acceptance to active pursuit of her own desires. Chopin emphasizes the novelty of this act by repeating what Edna had never done before. Importantly, Edna shows no self-consciousness about breaking social protocol, suggesting she has moved past caring about the propriety expected of a married woman in 1890s Creole society.

What does the sailing journey symbolize in Chapter 12 of The Awakening?

The sail from Grand Isle to Cheniere Caminada symbolizes Edna's psychological departure from her conventional married life. Chopin writes that Edna "felt as if she were being borne away from some anchorage which had held her fast, whose chains had been loosening—had snapped the night before." The water and wind represent freedom and the force of Edna's awakening desires. The journey physically carries her away from the domestic sphere of Grand Isle toward a space where she can explore her feelings for Robert without the constraints of her everyday role as wife and mother.

Who is Mariequita and what role does she play in Chapter 12?

Mariequita is a young barefooted Spanish girl who joins the boat crossing to Cheniere Caminada. She carries a basket of shrimps and flirts openly with Robert, asking pointed questions about his relationship with Edna. When told Edna is married with children, Mariequita recounts a local scandal about a man who ran away with another man's wife. She serves as a foil to Edna: her earthy directness and open sexuality contrast with the restrained tension between Edna and Robert. Her story of adultery also foreshadows the direction of Edna's desires.

What is the meaning of the pirate gold fantasy in Chapter 12?

Robert suggests they could search for hidden pirate treasure by moonlight, and Edna responds enthusiastically, declaring she would give all the gold to Robert because "pirate gold isn't a thing to be hoarded or utilized. It is something to squander and throw to the four winds, for the fun of seeing the golden specks fly." This fantasy represents Edna's emerging philosophy of living for passion and pleasure rather than duty and economy. Her desire to scatter treasure rather than save it directly opposes the careful, accumulative values of her marriage and social class, signaling a fundamental change in how she relates to desire and freedom.

What recurring symbolic figures appear in Chapter 12 and what do they represent?

Three recurring background figures appear: the unnamed lovers who walk shoulder to shoulder seeing and hearing nothing but each other, representing romantic passion; the lady in black who follows them counting her prayer beads, representing religious devotion and mourning; and old Monsieur Farival who trails behind everyone, representing aging and the passage of time. Together they form a symbolic procession suggesting the arc of life from youthful love through piety to decline. Their mechanical, unchanging movements contrast with Edna's growing spontaneity and serve as a quiet commentary on the conventional paths available to women in this society.

 

Previous Chapter Next Chapter
Return to the The Awakening Summary Return to the Kate Chopin Library