Frequently Asked Questions about Chapter XXXVII from The Awakening
What happens in Chapter 37 of The Awakening?
Edna visits Adele Ratignolle, who is in labor and has begged Edna to be present. Edna arrives at the Ratignolle home above the drug store and finds Adele in agonizing pain, her golden braid “coiled like a golden serpent” on the pillow. Dr. Mandelet arrives late. Adele insists Edna stay with her through the delivery, and Edna witnesses what she calls a “scene of torture.” After the birth, Adele whispers to Edna: “Think of the children, Edna. Oh think of the children! Remember them!” Edna leaves stunned and speechless.
What does Adele say to Edna after giving birth in Chapter 37?
After giving birth, Adele Ratignolle presses her cheek against Edna’s and whispers in an exhausted voice: “Think of the children, Edna. Oh think of the children! Remember them!” This plea is Adele’s attempt to remind Edna of her maternal responsibilities. As the novel’s ideal “mother-woman,” Adele senses that Edna’s pursuit of personal freedom may endanger her children’s social standing and emotional welfare. The warning becomes the catalyst for Edna’s final crisis of conscience in the remaining chapters.
What is the significance of the serpent imagery in Chapter 37 of The Awakening?
When Edna finds Adele on the sofa, Chopin describes Adele’s golden braid lying on the pillow “coiled like a golden serpent.” This image deliberately evokes the biblical serpent in the Garden of Eden, whose temptation of Eve led God to curse women with painful childbirth. By placing this symbol on Adele—the novel’s paragon of willing motherhood—Chopin suggests that even the most devoted mother-woman cannot escape the ancient punishment of suffering. The serpent image also foreshadows the danger that lies ahead for Edna, linking Eve’s fall from innocence to Edna’s own awakening and its consequences.
Why does Edna revolt against nature during the childbirth scene?
As Edna watches Adele endure labor, she experiences “a flaming, outspoken revolt against the ways of Nature.” This is not merely physical squeamishness but a philosophical rejection of the biological processes that society uses to confine women to domestic roles. Edna’s own childbirth memories feel “far away, unreal, and only half remembered,” revealing how disconnected she has become from the maternal identity expected of Creole women. Her revolt signals that her awakening has moved beyond rejecting social conventions to questioning the natural order itself—a position so radical that no compromise with her society seems possible.
How does Chapter 37 foreshadow the ending of The Awakening?
Chapter 37 sets the final tragedy in motion through several key elements. Adele’s whispered warning—“Think of the children!”—forces Edna to confront the one obligation she cannot escape: her duty to protect her sons from scandal. The serpent imagery in Adele’s braided hair evokes the Fall of Man and its consequences, hinting at a coming catastrophe. Most importantly, Edna’s “revolt against the ways of Nature” reveals an irreconcilable conflict between her desire for absolute freedom and her inescapable bond to her children. Unable to live freely without harming them, and unwilling to return to a conventional life, Edna is driven toward the devastating choice she makes at Grand Isle.
What do Edna’s memories of her own childbirth reveal in Chapter 37?
During Adele’s labor, Edna recalls her own experiences of giving birth: “an ecstasy of pain, the heavy odor of chloroform, a stupor which had deadened sensation, and an awakening to find a little new life.” Crucially, she describes her newborns as merely additions to “the great unnumbered multitude of souls that come and go.” These memories feel “far away, unreal, and only half remembered,” revealing that Edna never experienced the intense maternal bonding that defines women like Adele. Her emotional detachment from her own births confirms what the novel has suggested throughout: Edna is not a “mother-woman” by temperament, and she cannot force herself into that role without destroying her authentic self.