The Awakening

by Kate Chopin


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Chapter XXXVII


Edna looked in at the drug store. Monsieur Ratignolle was putting up a mixture himself, very carefully, dropping a red liquid into a tiny glass. He was grateful to Edna for having come; her presence would be a comfort to his wife. Madame Ratignolle's sister, who had always been with her at such trying times, had not been able to come up from the plantation, and Adele had been inconsolable until Mrs. Pontellier so kindly promised to come to her. The nurse had been with them at night for the past week, as she lived a great distance away. And Dr. Mandelet had been coming and going all the afternoon. They were then looking for him any moment.

Edna hastened upstairs by a private stairway that led from the rear of the store to the apartments above. The children were all sleeping in a back room. Madame Ratignolle was in the salon, whither she had strayed in her suffering impatience. She sat on the sofa, clad in an ample white peignoir, holding a handkerchief tight in her hand with a nervous clutch. Her face was drawn and pinched, her sweet blue eyes haggard and unnatural. All her beautiful hair had been drawn back and plaited. It lay in a long braid on the sofa pillow, coiled like a golden serpent. The nurse, a comfortable looking Griffe woman in white apron and cap, was urging her to return to her bedroom.

“There is no use, there is no use,” she said at once to Edna. “We must get rid of Mandelet; he is getting too old and careless. He said he would be here at half-past seven; now it must be eight. See what time it is, Josephine.”

The woman was possessed of a cheerful nature, and refused to take any situation too seriously, especially a situation withwhich she was so familiar. She urged Madame to have courage and patience. But Madame only set her teeth hard into her under lip, and Edna saw the sweat gather in beads on her white forehead. After a moment or two she uttered a profound sigh and wiped her face with the handkerchief rolled in a ball. She appeared exhausted. The nurse gave her a fresh handkerchief, sprinkled with cologne water.

“This is too much!” she cried. “Mandelet ought to be killed! Where is Alphonse? Is it possible I am to be abandoned like this-neglected by every one?”

“Neglected, indeed!” exclaimed the nurse. Wasn't she there? And here was Mrs. Pontellier leaving, no doubt, a pleasant evening at home to devote to her? And wasn't Monsieur Ratignolle coming that very instant through the hall? And Josephine was quite sure she had heard Doctor Mandelet's coupe. Yes, there it was, down at the door.

Adele consented to go back to her room. She sat on the edge of a little low couch next to her bed.

Doctor Mandelet paid no attention to Madame Ratignolle's upbraidings. He was accustomed to them at such times, and was too well convinced of her loyalty to doubt it.

He was glad to see Edna, and wanted her to go with him into the salon and entertain him. But Madame Ratignolle would not consent that Edna should leave her for an instant. Between agonizing moments, she chatted a little, and said it took her mind off her sufferings.

Edna began to feel uneasy. She was seized with a vague dread. Her own like experiences seemed far away, unreal, and only half remembered. She recalled faintly an ecstasy of pain, the heavy odor of chloroform, a stupor which had deadened sensation, and an awakening to find a little new life to which she had given being, added to the great unnumbered multitude of souls that come and go.

She began to wish she had not come; her presence was not necessary. She might have invented a pretext for staying away; she might even invent a pretext now for going. But Edna did not go. With an inward agony, with a flaming, outspoken revolt against the ways of Nature, she witnessed the scene of torture.

She was still stunned and speechless with emotion when later she leaned over her friend to kiss her and softly say good-by. Adele, pressing her cheek, whispered in an exhausted voice: “Think of the children, Edna. Oh think of the children! Remember them!”

Frequently Asked Questions about Chapter XXXVII from The Awakening

What happens in Chapter 37 of The Awakening?

Edna visits Adele Ratignolle, who is in labor and has begged Edna to be present. Edna arrives at the Ratignolle home above the drug store and finds Adele in agonizing pain, her golden braid “coiled like a golden serpent” on the pillow. Dr. Mandelet arrives late. Adele insists Edna stay with her through the delivery, and Edna witnesses what she calls a “scene of torture.” After the birth, Adele whispers to Edna: “Think of the children, Edna. Oh think of the children! Remember them!” Edna leaves stunned and speechless.

What does Adele say to Edna after giving birth in Chapter 37?

After giving birth, Adele Ratignolle presses her cheek against Edna’s and whispers in an exhausted voice: “Think of the children, Edna. Oh think of the children! Remember them!” This plea is Adele’s attempt to remind Edna of her maternal responsibilities. As the novel’s ideal “mother-woman,” Adele senses that Edna’s pursuit of personal freedom may endanger her children’s social standing and emotional welfare. The warning becomes the catalyst for Edna’s final crisis of conscience in the remaining chapters.

What is the significance of the serpent imagery in Chapter 37 of The Awakening?

When Edna finds Adele on the sofa, Chopin describes Adele’s golden braid lying on the pillow “coiled like a golden serpent.” This image deliberately evokes the biblical serpent in the Garden of Eden, whose temptation of Eve led God to curse women with painful childbirth. By placing this symbol on Adele—the novel’s paragon of willing motherhood—Chopin suggests that even the most devoted mother-woman cannot escape the ancient punishment of suffering. The serpent image also foreshadows the danger that lies ahead for Edna, linking Eve’s fall from innocence to Edna’s own awakening and its consequences.

Why does Edna revolt against nature during the childbirth scene?

As Edna watches Adele endure labor, she experiences “a flaming, outspoken revolt against the ways of Nature.” This is not merely physical squeamishness but a philosophical rejection of the biological processes that society uses to confine women to domestic roles. Edna’s own childbirth memories feel “far away, unreal, and only half remembered,” revealing how disconnected she has become from the maternal identity expected of Creole women. Her revolt signals that her awakening has moved beyond rejecting social conventions to questioning the natural order itself—a position so radical that no compromise with her society seems possible.

How does Chapter 37 foreshadow the ending of The Awakening?

Chapter 37 sets the final tragedy in motion through several key elements. Adele’s whispered warning—“Think of the children!”—forces Edna to confront the one obligation she cannot escape: her duty to protect her sons from scandal. The serpent imagery in Adele’s braided hair evokes the Fall of Man and its consequences, hinting at a coming catastrophe. Most importantly, Edna’s “revolt against the ways of Nature” reveals an irreconcilable conflict between her desire for absolute freedom and her inescapable bond to her children. Unable to live freely without harming them, and unwilling to return to a conventional life, Edna is driven toward the devastating choice she makes at Grand Isle.

What do Edna’s memories of her own childbirth reveal in Chapter 37?

During Adele’s labor, Edna recalls her own experiences of giving birth: “an ecstasy of pain, the heavy odor of chloroform, a stupor which had deadened sensation, and an awakening to find a little new life.” Crucially, she describes her newborns as merely additions to “the great unnumbered multitude of souls that come and go.” These memories feel “far away, unreal, and only half remembered,” revealing that Edna never experienced the intense maternal bonding that defines women like Adele. Her emotional detachment from her own births confirms what the novel has suggested throughout: Edna is not a “mother-woman” by temperament, and she cannot force herself into that role without destroying her authentic self.

 

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