The Awakening

by Kate Chopin


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Chapter XXXVIII


Edna still felt dazed when she got outside in the open air. The Doctor's coupe had returned for him and stood before the porte cochere. She did not wish to enter the coupe, and told Doctor Mandelet she would walk; she was not afraid, and would go alone. He directed his carriage to meet him at Mrs. Pontellier's, and he started to walk home with her.

Up—away up, over the narrow street between the tall houses, the stars were blazing. The air was mild and caressing, but cool with the breath of spring and the night. They walked slowly, the Doctor with a heavy, measured tread and his hands behind him; Edna, in an absent-minded way, as she had walked one night at Grand Isle, as if her thoughts had gone ahead of her and she was striving to overtake them.

“You shouldn't have been there, Mrs. Pontellier,” he said. “That was no place for you. Adele is full of whims at such times. There were a dozen women she might have had with her, unimpressionable women. I felt that it was cruel, cruel. You shouldn't have gone.”

“Oh, well!” she answered, indifferently. “I don't know that it matters after all. One has to think of the children some time or other; the sooner the better.”

“When is Leonce coming back?”

“Quite soon. Some time in March.”

“And you are going abroad?”

“Perhaps—no, I am not going. I'm not going to be forced into doing things. I don't want to go abroad. I want to be let alone. Nobody has any right—except children, perhaps—and even then, it seems to me—or it did seem—“ She felt that her speech was voicing the incoherency of her thoughts, and stopped abruptly.

“The trouble is,” sighed the Doctor, grasping her meaning intuitively, “that youth is given up to illusions. It seems to be a provision of Nature; a decoy to secure mothers for the race. And Nature takes no account of moral consequences, of arbitrary conditions which we create, and which we feel obliged to maintain at any cost.”

“Yes,” she said. “The years that are gone seem like dreams—if one might go on sleeping and dreaming—but to wake up and find—oh! well! perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one's life.”

“It seems to me, my dear child,” said the Doctor at parting, holding her hand, “you seem to me to be in trouble. I am not going to ask for your confidence. I will only say that if ever you feel moved to give it to me, perhaps I might help you. I know I would understand, And I tell you there are not many who would—not many, my dear.”

“Some way I don't feel moved to speak of things that trouble me. Don't think I am ungrateful or that I don't appreciate your sympathy. There are periods of despondency and suffering which take possession of me. But I don't want anything but my own way. That is wanting a good deal, of course, when you have to trample upon the lives, the hearts, the prejudices of others—but no matter-still, I shouldn't want to trample upon the little lives. Oh! I don't know what I'm saying, Doctor. Good night. Don't blame me for anything.”

“Yes, I will blame you if you don't come and see me soon. We will talk of things you never have dreamt of talking about before. It will do us both good. I don't want you to blame yourself, whatever comes. Good night, my child.”

She let herself in at the gate, but instead of entering she sat upon the step of the porch. The night was quiet and soothing. All the tearing emotion of the last few hours seemed to fall away from her like a somber, uncomfortable garment, which she had but to loosen to be rid of. She went back to that hour before Adele had sent for her; and her senses kindled afresh in thinking of Robert's words, the pressure of his arms, and the feeling of his lips upon her own. She could picture at that moment no greater bliss on earth than possession of the beloved one. His expression of love had already given him to her in part. When she thought that he was there at hand, waiting for her, she grew numb with the intoxication of expectancy. It was so late; he would be asleep perhaps. She would awaken him with a kiss. She hoped he would be asleep that she might arouse him with her caresses.

Still, she remembered Adele's voice whispering, “Think of the children; think of them.” She meant to think of them; that determination had driven into her soul like a death wound—but not to-night. To-morrow would be time to think of everything.

Robert was not waiting for her in the little parlor. He was nowhere at hand. The house was empty. But he had scrawled on a piece of paper that lay in the lamplight:

“I love you. Good-by—because I love you.”

Edna grew faint when she read the words. She went and sat on the sofa. Then she stretched herself out there, never uttering a sound. She did not sleep. She did not go to bed. The lamp sputtered and went out. She was still awake in the morning, when Celestine unlocked the kitchen door and came in to light the fire.

Frequently Asked Questions about Chapter XXXVIII from The Awakening

What happens in Chapter 38 of The Awakening?

After witnessing Adèle Ratignolle’s agonizing childbirth, Edna Pontellier leaves the house feeling dazed. She refuses the doctor’s carriage and walks home through the spring night with Doctor Mandelet, who expresses regret that she had to be present. They discuss Léonce’s return and the planned trip abroad, but Edna insists she will not be forced into doing anything. After parting with the doctor, Edna sits on her porch reliving Robert Lebrun’s declaration of love—only to enter the house and discover he has left a farewell note: “I love you. Good-by—because I love you.” She lies awake on the sofa through the entire night.

Why does Doctor Mandelet tell Edna she should not have been at the birth?

Doctor Mandelet calls the experience “cruel” and says Adèle should have summoned “unimpressionable women” instead. He recognizes that Edna’s sensitive, awakening temperament makes her especially vulnerable to the raw reality of childbirth. On a deeper level, the doctor senses the psychological crisis Edna is undergoing and fears the birth scene will intensify her growing disillusionment with the roles of wife and mother that Creole society expects of her. His concern foreshadows the devastating choices Edna faces in the novel’s conclusion.

What does Edna mean when she says “one has to think of the children” in Chapter 38?

Edna’s remark echoes Adèle Ratignolle’s parting whisper—“Think of the children; think of them”—from the previous chapter. When Edna repeats the sentiment to Doctor Mandelet, she acknowledges that her children are the one obligation she cannot dismiss. Unlike her marriage to Léonce and society’s expectations, her children represent a moral claim she concedes even as she fights for personal freedom. Kate Chopin uses this line to crystallize Edna’s central conflict: the irreconcilable tension between her desire for autonomy and her love for her sons.

What is the significance of Robert’s goodbye note in The Awakening?

Robert Lebrun’s note—“I love you. Good-by—because I love you”—is a devastating turning point. Robert leaves precisely because he loves Edna: bound by the same Creole conventions he grew up in, he cannot bring himself to pursue another man’s wife. The note reveals that Robert ultimately conforms to the society Edna has been struggling to transcend. His departure destroys her last hope for a love that could coexist with her awakened self, and it sets the emotional stage for the novel’s tragic final chapter.

What does Doctor Mandelet’s speech about Nature and illusions mean?

Doctor Mandelet tells Edna that “youth is given up to illusions” and that Nature uses these illusions as “a decoy to secure mothers for the race,” taking “no account of moral consequences.” He means that romantic love and desire are biological imperatives that trick young people into commitments—especially motherhood—before they understand the cost. This is one of the most philosophically explicit passages in Kate Chopin’s novel. The doctor’s words validate Edna’s feeling that she has been living in a “dream” and offers a naturalistic framework for her awakening, even as they imply that her situation has no easy solution.

What is the symbolism of the extinguished lamp at the end of Chapter 38?

After reading Robert’s farewell note, Edna lies on the sofa as “the lamp sputtered and went out.” The dying lamp symbolizes the extinguishing of Edna’s hope for fulfillment through romantic love. Throughout The Awakening, light and darkness mark Edna’s emotional states—the blazing stars during her walk with the doctor represent fleeting beauty, while the darkened room mirrors her desolation. The detail that she remains awake in total darkness until dawn underscores the bitter irony of her earlier declaration that it is “better to wake up … even to suffer, rather than to remain a dupe to illusions.” She is now fully awake—and fully alone.

 

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